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With the continued drive within the broadcast environment for keeping costs down, better productivity and improved efficiencies, ensuring that the workforce has the tools to do their jobs properly is critical. As with other industries, broadcast finds itself in a state of flux, with several trends and changes impacting on businesses over the last decade. These include aspects such as the adoption of cloud, the move away from the use of proprietary hardware, and the increased use of automation throughout the entire workflow.
Professional Wireless Systems provided frequency coordination for all wireless communications. The PWS team coordinated approximately 110 frequencies for a single game, ensuring that there were no dropped signals or unwanted interference during the live telecast.
With consumers viewing (and listening to) content on more devices and in more places than ever before, broadcasters are being challenged to meet demands for new and better audio experiences in the most cost-effective way. This means upping the ante on multichannel audio from the existing 5.1 surround sound systems found in homes across the world. Consequently, broadcasters are assessing the capabilities of existing infrastructures and determining how new developments in audio and video technology will affect their ability to deliver enhanced services to a broad array of end-user technologies—from high-end home theaters, to tablets and smart phones.
Broadcasting and telecoms have had a long relationship, one that in recent years has become closer and more symbiotic. But there is one area where the two clash head on: radio spectrum. This is a vital resource for not just television and radio transmission but also the production of entertainment shows and outside broadcasts today, which relies heavily on wireless microphones and cameras, in-ear monitors (IEMs) and mobile communications. Parallel to this is the ever-growing demand from mobile phone companies for frequencies to support video streaming and wireless telephony as well as telephony.
This article is a basic primer with excerpts taken from the larger comprehensive document written by this article’s author for iZotope, Inc. The complete eBook and PDF is available for free at: https://www.izotope.com/en/support/support-resources/guides/
You are sitting there quietly watching your favorite show on TV when all of a sudden the commercial comes on – BAM, WAM, BUY, BUY… screams at you. The purpose of the commercial is to grab your attention in the few seconds of the spot. The recording engineers in the commercials production agency will turn up the sound levels into the red for maximum impact and effect to shake you out of your slumbers. However the effect can be to intensely annoy the viewer who reaches for the channel change, or worse calls the TV company to complain.
In many cities, radio stations have become the new TV stations. Radio stations gain visibility (literally), the station talent gains additional exposure and radio becomes more of a two-way experience for listeners/viewers. In addition, co-owned TV stations often do break-in interview segments with their partner radio stations as a form of cross promotion. The news casters and DJs banter for a couple of minutes resulting in good publicity for both stations.
With the FCC’s upcoming auctions of broadcast spectrum, wireless microphones not only face technology challenges, but political ones as well over the next few years.