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In its continuing quest to provide broadcasters with traditional and new media solutions, systems integrator Adore Technologies Singapore has selected Riedel’s Artist digital matrix intercom solution for Accenture’s webcast facility in Gurgaon, India.
John Watkinson calls for a break with tradition in speaker design. It is time to think out of the box.
In the not so distant past, the microphone stand was simply a support device to keep a microphone secure. When its quality was high, the stand just did its job and was forgotten. Today, microphone stands have evolved to include accessories that can actually improve audio performance.
As recording technology has migrated to personal computers, most users now have a recording interface in their studio. But what exactly does a recording interface do and what’s the difference between the many models available?
New users of wireless microphones will quickly find they are far more convenient than wired systems. But users also learn there are far more things that can go wrong with wireless systems. Here are some basic rules to stay out of trouble.
A microphone splitter is an item in the sound engineer’s kit that is appreciated only when it is needed. But when a microphone must be simultaneously fed to a second mixer, a professional-quality splitter is worth its weight in gold.
In the previous Cloud Broadcasting article, we looked at the business case for public clouds. In this article, we delve further into Cloud Born systems and go deeper into cloud security.
The live events industry has grown dramatically. Driven by audiences for smaller sports, new viewing behavior and the opportunity for new revenue. As broadcasters face increasing competition from new media players such as OTT distribution and streaming, both stations and networks are looking for ways to bring these live events to their audiences in a cost effective manner.