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We continue our discussion of broadcast audio workflow with multi-award winner Robert Edwards. We look at the many challenges that come when a live audience is added to the broadcast mix.
LiveU has unveiled its next-generation Solo PRO portable bonding encoder for engaging live coverage, combining professional-grade 4K and HEVC video quality with rock-solid reliability.
Lithium batteries are all the rage on account of their low weight and high capacity. But how good are they really?
Panasonic Connect Europe has announced the AW-UE160W/K, a next-generation 4K integrated PTZ camera that achieves both high-quality shooting and video production efficiency for customers involved in the entertainment industry, including broadcasting, live events, and video production.
FUJIFILM has announced the development of the FUJINON HZK25-1000mm (HZK25-1000mm) broadcast zoom lens, which boasts the world’s highest1 40x zoom and the world’s longest focal length1 of 1000mm.
Compression is the ultimate enabling technology behind broadcasting. Without it, life would be very difficult indeed. In this new series, the whole topic will be explored at some depth.
Dejero supported Quality, leading international production company and joint host broadcaster, for the XII South American Games in Asunción, Paraguay, as they made television history with the first ever all-remote multi-sport production.
Like a lot of new ideas in film and TV, high dynamic range pictures are easy to like. The fear is that they’re far harder to create. In reality, HDR isn’t necessarily a huge burden, certainly not in the way that stereo 3D can be. It’s often been possible to take well-shot images which were produced with no thought of an HDR finish, and make them available in HDR via a fairly straightforward re-grading process. Most people are aware of the truism that proper exposure is the cinematographer’s first responsibility, and we should probably hold on to that thought.
