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Cloud video encoding and workflows is growing by almost every measure. To quantify such changes, Encoding.com, completed and just released a survey, which provides a snapshot of the media's use of cloud processing.
We shooters, and the broadcasters that hire us, have long had a noble and worthy goal: that what we see with our naked eye should match what we see on our TV at home. This goal may have seemed elusive or impossible in the past but today, given the advances in technology, especially HDR, the dream of 1:1 capture and display is not only realistic but is already here.
Progress in work on the candidate standard for the next generation of broadcast television in the US is on its way to becoming the new TV standard in homes worldwide by default. Engineers need to understand the details.
Losing media content is a disaster. Yet, there are multiple technologies designed to store content, some for short-term and others for long-term. In the expanding world of content development, everyone has the same question; “How best to store it?”
Marketers like large numbers, hang the physics of realising an image and the psychovisual complexities of rendering a scene into the visual cortex.
We saw all this with HD. Most European countries adopted 1080 interlaced HD, disregarding tests that showed 720p50 pictures looked better. We know that to avoid the artefacts of interlace vertical resolution had to be sacrificed, so a progressive scan picture with fewer lines looked sharper, but the number 720 was not that much more than the old SD standard of 625 lines. The detail that the SD picture had only 576 active lines was irrelevant, it’s all about numbers. On top of that the public were sold 1080P receivers, when broadcasts were interlaced, OK you could view 24P movies, but even today, 1080P remains overlooked, passed over in the numbers game.
Windmill Lane Pictures Upgrades To Immersive Media Production With Genelec
Windmill Lane Pictures is a renowned creative production hub specialising in Commercials, Film, TV, VFX, and Animation. With a long and colourful history, it has developed into Ireland’s leading picture and sound post-production, VFX and content creation studio – collaborating with many industry giants including Netflix, HBO, Universal and Sony PicWohler Launches MAVRIC Remote Monitoring Application Suite At NAB
Debuting at NAB, Wohler is demonstrating MAVRIC, a remote monitoring software application suite licensed to run with signal probes installed on any of their current iSeries or eSeries monitors, or their new openGear card. With three main software components, REMOTE MONITORING, ALERTS & CONFERENCING, MAVRIC enables many users across diverseAudio At NAB 2024
The 2024 NAB Show will see the big names in audio production embrace and help to drive forward the next generation of software centric distributed production workflows and join the ‘cloud’ revolution. Exciting times for broadcast audio. …Encoding & Transport For Remote Contribution At NAB 2024
As broadcasters embrace remote production workflows the technology required to compress, encode and reliably transport streams from the venue to the network operation center or the cloud become key, and there will be plenty of new developments and sources of expertise on the 2024 NAB Show floor. …Matrox Video NAB Show Lineup Drives Implementation Of Efficient IT- And IP-Centric Media Workflows
At the 2024 NAB Show, Matrox Video will provide product demos and feature customer stories that illustrate how the company helps broadcasters, live event producers, developers, and manufacturers implement and improve their IP- and IT-based media workflows. …
