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SGO has released an open beta version of its first media management, transcoding and delivery application, Mistika Workflows.
InfinitySet will demonstrate at IBC integration with FOR-A HANABI HVS-100/110 mixers for enhancing virtual set production.
New playback functionality bridges gap between studio and OB production needs; targets eSports.
Panasonic is showing Live IP Switching with a new IT/IP-centric platform and a new compact 4K live switcher.
The appliance is used to ingest, transcode and play 4 QFHD video streams in dozens of formats. By supporting file-based and baseband contents at the same time, mDECK can perform hybrid workflows to better support multiple media operations, either in IT and video networks.
The upgraded graphics platform features an expanded digital graphics workflow and creation capabilities powered by a Brainstorm graphics engine.
The mixer includes full clip-store integration to graphics creation and editing, and provides built-in multiviewer capability. Designed to support the needs of smaller operations.
MOG Technologies focus will be on the latest advances for its Production Management Platform with MAM4PRO; a new Professional Media Deck Station; new enhancements to Vizzi, its online video platform.
Like many critical professional equipment categories, live production switchers (“vision mixers” to many overseas) have undergone a transformation based largely around the implementation of software-defined features and multi-layered capabilities that allow the operator to do more. When EVS introduced its Dyvi switcher in 2017, it boasted a software-defined architecture - basically a software approach to utilizing GPU performance to manipulate and modify video streams - that offered users a brand-new approach to live production while promising to take them far beyond the limits of conventional hardware switcher design.