From an 8K switcher to a new 4.6K camera, you could hardly get through the packed Blackmagic Design exhibit to see its most talked about excitement, the new DaVinci Resolve 16.
New version of MonitorIQ makes it easier for broadcasters to record, store, and repurpose content and comply with global regulations.
Comark is appointed as authorized reseller of Triveni Digital hardware and software products.
ATSC 3.0 has much more flexibility than ATSC 1.0 to select signal configurations to suit multiple end-use cases with different reception robustness. To properly take advantage of the capabilities requires sophisticated software emulations.
AI is being talked about a lot, but many of the applications being touted are still just potential solutions looking for a problem, and the data returned is not yet reliable enough to be implemented across the industry. A key BEIT session explores the practical implications of AI in Media and a taster we’ve gathered the insight of David Cole, CEO, IPV and Steven Soenens, VP Product Marketing, Skyline Communications.
With The NAB Show 2019 on the horizon, just for readers of The Broadcast Bridge, a top Sony expert helps us understand what will be behind their HDR display technology at this year’s techno-gala.
EVERTZ.iO is described as a collection of on-demand and ‘pay-as-you-go’ cloud native services for broadcast media customers. It is a cloud native and multi-tenant SaaS platform using a serverless architecture.
New suite of test automation tools to verify device ATSC 3.0 implementation and conformance will be on display at the 2019 NAB Show.
EditShare will introduce Flow 2019 extension 3 at NAB featuring multicam editing capabilities and talks up global collaboration and the ease of IMF compliance mastering with Qscan.
Broadcasters and network operators must monitor incoming signals to ensure that they arrive intact at the correct destination. R&S PRISMON continuously monitors transmissions and immediately alerts the operator if there is a problem.