JOBY has announced the complete launch of their full line of TelePod products. The TelePod Mobile, TelePod 325 and TelePod PRO Kit telescoping tripods join the already well-known GripTight PRO TelePod in empowering videographers working with lightweight gear.
Vocas introduced a Sony E-mount to LPL adapter to mount the new LPL lenses into the E-mount of Sony cameras with or without a 15mm support. A 15mm support for LPL adapters for top rails is also available.
Sirui has announced the N-S Series tripods with magnesium alloy leg sockets and spider, an accessory connecting port, new streamlined design and hidden monopod leg.
Sachtler and Vinten have introduced the Flowtech100, the latest addition to the Flowtech carbon-fiber tripod line with camera support capability of 66 pounds.
Manfrotto has expanded its travel Befree tripod range with conversion to monopods.
Shotoku Broadcast Systems will introduce enhancements and upgrades for its robotic camera control platform, including the SmartPed and SmartRail camera support solutions.
Matthews Studio Equipment of Burbank, California has introduced the the C-Stand Rolling Bag.
Manfrotto has added three new premium tripods for travel videography and photography applications. The new models are the Befree Live Carbon Fiber, Befree Advanced Carbon Fiber and the Befree GT.
At IBC, DoPchoice celebrated its 10th anniversary by offering new light shaping gear for the world’s top LED light fixtures. The company is offering compact and lighter weight designs that are easier to use and faster to set-up.
At IBC, The Light Bridge introduced CRLS (Cine Reflect Lighting System), a revolutionary way of painting with light and shadow that pairs proprietary high efficiency reflectors with an optimized source to produce a concentrated natural looking beam of light that’s easier to control and modulate.
Canon has bolstered its 2/3in UHD broadcast lens range with the launch of two new broadcast field zoom lenses in 4K Premium optical quality. Firstly, the UHD DigiSuper 122, with a 122:1 zoom range (8.2 – 1000 mm) and secondly, the UHD DigiSuper 111, which offers a long focal length and high zoom ratio for a wide range of shooting scenarios.
Dejero, Microsoft Azure, Avid, Haivision, Hiscale, Make.TV and Signiant are showcasing how live production workflows in the cloud can deliver greater flexibility, scalability and budget efficiencies to broadcasters.