This Case Study describes how AMP VISUAL TV using Riedel’s MediorNet achieved their objectives. It looks at the design considerations and advantages of using a decentralized routing system as well as the savings that were made in infrastructure cabling cost and weight.
As might be expected in a TV dramatisation of the life of Pablo Picasso, one of the most celebrated artists of the 20th century whose work was defined by the use of different colours during specific periods of his career, colour grading played a major part in the post-production of…
TV 2 DANMARK is the most popular commercial television network in Denmark and provides national channels including news and sports programming as well as multiple thematic channels. Faced with the need to move to a new technical facility, management decided that it was also time to update the automation system.
Stirlitz Media’s media logging software as been installed for use across the broadcaster’s three HD channels: BBC One Scotland, BBC Two Scotland and Gaelic-language service BBC ALBA.
Production company UFA broadcast the final of German reality talent show “DSDS - Deutschland sucht den Superstar” simultaneously in UHD and HD over the RTL network. The simulcast used Studio Berlin’s new 16-camera 4K/UHD mobile production unit, OB9, built by Broadcast Solutions.
KPTS is a public broadcaster serving Wichita, KS, area. A PBS affiliate from its founding, the station carries all the beloved national programs one expects in addition to producing its own locally popular content— like the round-table discussion Kansas Week, and a local news program with an uplifting message: Positively K…
A total of 28 games will be covered in 4K, up to and including the final on July 15. UHD transmissions are being carried by a number of broadcasters and telco providers on dedicated 4K feeds as well as via satellite.
As part of its recent nationwide news studio technology upgrade, the Australian Broadcasting Corporation (ABC) installed Apantac TAHOMA T# Multiviewers.
In its 62-year history the Eurovision Song Contest (ESC) has gone through several major technological broadcast developments: colour TV, stereo and then 5.1 sound, with, most recently, the EBU (European Broadcasting Union) implementing its Flex IP-hybrid self-managed digital transmission system to distribute the event in 2016. The innovation for this year’s…
It’s estimated that well over three billion people will watch the 2018 FIFA World Cup Championship on TV this year, with one billion predicted for the final match alone. FOX Sports, the sole English language broadcaster, wants to get this job done right-but also on budget.