ChyronHego rocked the NAB Show 2019 with a whole new approach to Virtual Sets, and a revolutionary use of a telestrator not just as a second screen, but as a second primary sports entertainment channel.
IP has now come of age and many broadcasters are looking to transition to ST2110. The Broadcast Bridge has been championing IP education and in this unprecedented IP seminar they have brought together leading industry experts to deliver an in-depth case-study of the world’s leading ST2110 IP installation at…
The Future Group, a technology and creative services company headquartered in Oslo, Norway, is marketing new software and services as a subscription service that’s designed to streamline real-time virtual production as well as photorealistic graphics and visual effects. Called Pixotope, it’s a software suite, running on COTS hardware, t…
The Weather Channel has created an advanced Immersive Reality (IMR) video that graphically depicts the effects of weather extremes on football players and the game itself.
The Shanghai Media Group (SMG) has adopted ChyronHego’s graphics solution for incorporating virtual graphics into live broadcasts, and for virtual placement.
The combination of the completion of the video distribution over IP standard and an increase in the cost of rights to broadcast live sporting events has led to engineers designing new ways to produce a telecast with a minimum of resources. And it’s happening around the world, in HD m…
Following numerous private conversations and panel discussions at the recent 2018 NAB Show, it’s become clear that broadcasters are being challenged like never before to hold the line on CapEx spending while delivering more content across their linear platforms. Because of this tricky scenario, the NAB’s annual convention was bri…
At one time the only repeatable source of light on Earth was the sun. Later it was found that if bodies were made hot enough, they would radiate light. Any treatment of illumination has to start with the radiation from heated bodies.
NAB ramp up. A period where articles about new cameras arriving in the next year appear almost daily. I’m sure many shooters as they skim or read these stories can’t help but consider whether the time has come to upgrade their cameras.
With the wide array of growing file sizes, increased video resolution and high-quality visual effects in today’s media and entertainment production workflows, storage requirements for post-production environments have grown accordingly. When the work of an entire organization depends on common infrastructure, the unlimited ability to access content and avoid d…
In the media industry, speed has become a critical workflow requirement even more than ever, especially for delivering live sports. Today, consumers have a large number of avenues for watching live sports, including traditional broadcast TV channels, OTT services and a growing assortment of apps and video services. Facing a…
