Why RAW? What’s the Deal? October 18th 2018 - 04:00 PM

The announcement by Blackmagic of their new RAW camera file format reminds us that there is choice to record RAW versus regular video with digital cinematography cameras. What is RAW, what are the pros and cons, and why should cinematographers capture RAW files rather than conventional video? At a first

Acquisition Camcorders Production & Post Video Editing Grading & Film Scanning Hardware Infrastructure OEM, Video I/O and Accelerators

Vendors Now Well Versed In The Language of IT September 21st 2018 - 09:52 AM

At the recent IBC Show in Amsterdam, it was clear that when discussing the design and deployment of next generation video production and distribution infrastructures, manufacturers of the technology and processes required are now using significantly different technical terms. Now, familiar words like “encoding”, “playout” and “software defined networks’ are being repla

Production & Post Production Servers Production Switchers Multiviewers Video Editing Hardware Infrastructure IP Infrastructure Routing Switchers Signal Processing / Interface / Modular Storage, Near-line Playout & Transmission Playout Automation Playout / Transmission Servers Master Control Switchers / Branding Subtitling & Captioning Systems Transmission Encoding & MUX Distribution & Delivery Video Transport Online Video Platforms Content Management Content Delivery Network Services Playout Services Cloud Services Trade Shows / Conferences / Organisations

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Why RAW? What’s the Deal? October 18th 2018 - 04:00 PM

The announcement by Blackmagic of their new RAW camera file format reminds us that there is choice to record RAW versus regular video with digital cinematography cameras. What is RAW, what are the pros and cons, and why should cinematographers capture RAW files rather than conventional video? At a first

Acquisition Camcorders Production & Post Video Editing Grading & Film Scanning Hardware Infrastructure OEM, Video I/O and Accelerators