Broadcaster Bolivia TV has purchased a variety of FOR-A kit for its transition to HD. The La Paz-based public broadcaster ordered video switchers, character generators, signal processors and routing switchers.
Broadcast Pix Router Control software option now extends the I/O of its integrated production switchers. Designed to work with AJA Video Systems’ KUMO SDI routers, Router Control was developed at the request of Advanced Broadcast Solutions, a systems integration firm based in Washington.
Timeline, a relatively new entrant into the UK’s outside broadcast supply scene, has been commissioned to build and run a 4K scanner by BT for the telco’s August launch of BT Sport Ultra HD. The truck is kitted with an array of the latest 4K production gear including…
A new video switcher, a decoding solution and multi-viewer are central to FOR-A’s attractions at trade show Infocomm. The HVS-2000 switcher recently began shipping for use in SD, HD, 3G and 4K productions. It allows up to 48 inputs/18 outputs or 40 inputs/22 outputs (optional).
EVS says it wants to help producers, broadcasters and stadiums to maximize the value of their live productions and anticipate viewer consumption demands as it announces its NAB programme. It is promoting product in live servers, live production, content management and IT based video switching at the show.
Blackmagic Design has made available a ATEM Switcher Update 6.3 which adds new power macros that let customers operate dozens of switcher features instantly and in parallel with a single button press. Extremely complex scenes can be recalled or even animated in real time using the new built in power macros.
At one time the only repeatable source of light on Earth was the sun. Later it was found that if bodies were made hot enough, they would radiate light. Any treatment of illumination has to start with the radiation from heated bodies.
NAB ramp up. A period where articles about new cameras arriving in the next year appear almost daily. I’m sure many shooters as they skim or read these stories can’t help but consider whether the time has come to upgrade their cameras.
With the wide array of growing file sizes, increased video resolution and high-quality visual effects in today’s media and entertainment production workflows, storage requirements for post-production environments have grown accordingly. When the work of an entire organization depends on common infrastructure, the unlimited ability to access content and avoid d…
In the media industry, speed has become a critical workflow requirement even more than ever, especially for delivering live sports. Today, consumers have a large number of avenues for watching live sports, including traditional broadcast TV channels, OTT services and a growing assortment of apps and video services. Facing a…