NEP Australia – providers of broadcast engineering, remote production, studio production, video display, host broadcasting and post production services – has chosen Sony HDC-4300 cameras, Sony XVS-6000 and XVS-8000 IP-capable, SMPTE ST 2110 ready switchers, as well as a wide range of Sony OLED and LCD monitors, for its new IP-based remote production
Televizia Markiza, a leading commercial television broadcaster in Slovakia, is now fully high definition after adding a new outside broadcast truck to its fleet. Its latest HD vehicle was built by German systems integrator Broadcast Solutions working with Slovakian company ELEKONIKA and is designed for both general location production and
RTM Productions, creators of PowerNation, the U.S.A.’s most-watched automotive how-to TV programming, is producing its 2017 season of popular tech shows with recently acquired Panasonic gear, including six VariCam LT 4K cinema camcorders, three DVX200 4K handhelds and ten BT-4LH310 4K production monitors.
What are the impacts of High Dynamic Range on the Quality Control process? Given the confusion in the industry surrounding the different formats, the impact is greater than you’d think and still being worked through. The Broadcast Bridge took the advice of leading QC tools developers.
On September 10th Arena Television, one of the UK’s leading mobile production service providers, helped the BT Sport network produce a 4K broadcast (in UHD resolution) of a soccer match that was simulcast in UHD and HD over an all-IP network. The telecast, pitting Liverpool against Leicester City in
The ITU (International Telecommunications Union) has raised hopes that the first preliminary standard covering VR (Virtual Reality) will be set before the end of 2016. This follows a recent meeting in Geneva comprising some of the main standards bodies in TV, including JPEG, MPEG, DVB and EBU (European Broadcasting Union) as
Virtual Reality (VR). There are basically two camps; you love it or could not care less. The rabid VR fans look for every hit of a new product, technique or movie/clip to try. The reality is that creating VR content requires both new technology and new techniques. Fortunately much
The EBU (European Broadcasting Union) has urged the whole video service industry to unite behind Virtual Reality and avoid the mistakes made with previous attempts to deliver new experiences for users, such as 3D.
Leading-edge video productions often become laboratories for the use of new technology or current technology applied in new ways. Many times the new solutions are not so much experimentation for new ideas, but just efforts to solve workflow issues. Here are two articles that illustrate how the programs’ producers used
Singapore media conglomerate Mediacorp recently reached the end of its move to a new facilities campus. The broadcast company is now operating from television and radio studios in a purpose-built production centre at the Mediapolis technology development in the one-north district, featuring newly installed Lawo consoles and routers alongside Octopus