The Lectrosonics Aspen SPN1612 has been installed in three separate performing rooms in Chicago’s The Second City Theatre.
Operating since the 1950’s, The Second City is an improvisational comedy enterprise that is perhaps best known as the first ever on-going improvisational theater troupe in the United States. It is known also for the inclusion of live, improvised music during their performances. As part of an upgrade to the facility’s sound reinforcement (SR) systems, the venerable nightspot recently installed three Aspen SPN1612 16 input/12 output audio processors from Rio Rancho, NM-based Lectrosonics.
Lake Forest, IL-based TC Furlong, Inc., which provides audio production services, equipment sales and rentals, and some light installation services, was contracted to handle The Second City’s upgrade. Brian O’Connell, the firm’s Sales Manager who also assumes an integral role in the company’s consulting and system design efforts, discussed the nature of the project and his decisions for implementing three Aspen processors.
The Lectrosonics Aspen SPN1612 audio processors feature excellent automixing and loudspeaker management capabilities for the facility’s sound reinforcement systems.
“The Second City produces shows with various scenes and songs addressing local, national, and international issues through social and political satire,” O’Connell reports. “The house needed a capable sound system that could run unattended much of the time while also providing the reliability and consistency necessary for a venue of this nature. Working with our tech Scott Helmke, we determined that the Lectrosonics Aspen SPN1612 would be the right choice.”
O’Connell elaborated, “With eight Earthworks C30/C choir mics over each stage and lots of improvisation during a typical show, we needed very good automixing capabilities, since putting wireless microphone packs on the talent was not an option. In addition to clear, natural sounding audio quality, system reliability was another very important consideration because whatever equipment we deployed, it would be used constantly and for many years to come. My past experience has shown me that Lectrosonics equipment sounds good, is extremely well built, and is designed to last.”
When queried about those system attributes that were particularly noteworthy on The Second City project, O’Connell singled out the Aspen SPN1612’s automixing and audio processing capabilities. “The Lectrosonics Aspen SPN1612 has excellent automixing and loudspeaker management provisions in addition to a very flexible matrix mixer,” he added. “The fact that we could get great automixing, all of the speaker management options we required, and flexible matrix mixing in a solid, well-built product made the Lectrosonics Aspen units a no-brainer choice.”
With the SPN1612’s level of sophistication, it’s not uncommon for questions to arise during the design and implementation phases of a project. On that note, O’Connell was very complimentary of Lectrosonics’ customer and technical support services. “We had some questions early on in the spec phase about how the automixer functions operated and if there was enough processing power to handle everything we wanted to do,” he explained. “As always, the folks at Lectrosonics were extremely helpful. They had us up and running in no time.”
The third phase of The Second City’s upgrade was completed in January of this year and, since that time, O’Connell notes that the Lectrosonics equipment has performed admirably and that the client is very pleased. According to Kyle Anderson, Technical Director for Second City, “the processor allows us to get more out of the microphones and takes some things off the engineer’s plate to be free to mix music and manage various feeds for broadcast and streaming.”
You might also like...
Without intercom, a live broadcast production would soon degenerate into chaos. A whole industry has been built on the protocols intercom users have adopted and everybody involved in the production must be able to hear the director’s instructions, clearly a…
This is the second instalment of our extended article exploring the use of the 5GHz spectrum for Comms.
Gain control in digital audio is essentially a numerical model of the same process in the analog domain.
Video, audio and metadata monitoring in the IP domain requires different parameter checking than is typically available from the mainstream monitoring tools found in IT. The contents of the data payload are less predictable and packet distribution more tightly defined…
As broadcasters strive for more and more unique content, live events are growing in popularity. Consequently, productions are increasing in complexity resulting in an ever-expanding number of production staff all needing access to high quality communications. Wireless intercom systems are…