IRT and EBU collaborate over online subtitling for IBC
The EBU has played a leading role in development of subtitling services for OTT and hybrid services.
As online video comes of age, it must match legacy broadcast services for traditional features such as consistent access to subtitles. This will be a focus of separate demonstrations at IBC 2015 from the EBU (European Broadcasting Union) and Institut für Rundfunktechnik GmbH (IRT), the research arm of German broadcasters ARD, ZDF and DLR, along with Austria’s ORF and Swiss public broadcaster SRG / SSR.
IRT will be showing how the latest HbbTV 2.0 standard enables smart TVs to access subtitles in a uniform way that is independent of the manufacturer. It will demonstrate a prototype service developed by IRT in cooperation with the Innovation Projects of ARD broadcaster Rundfunk Berlin-Brandenburg (rbb) and Samsung. This combines live streaming using MPEG-DASH with subtitles based on the EBU-TT-D specification. The work was carried out under HBB4ALL, a European co-funded project on media accessibility in a connected TV environment. Indeed for the last two years, IRT has been one of the leading contributors to both HbbTV 2.0 and EBU-TT-D, which together are aiming to unite the broadcast and broadband world.
Subtitles have been part of traditional TV services for decades, but over the Internet have been limited for live streaming by the lack of a standardized solution and by timing issues. In combination with MPEG-DASH, EBU-TT-D is a solution, enabling a common subtitle format to be used for video on demand services like catch-up TV as well as live streaming.
Meanwhile the EBU will be giving a series of EBU-TT related presentations on its booth at IBC, 10.F.20. EBU-TT, or EBU Timed Text, is the follow-up to the widely used EBU STL format and comprises three specifications. The Base spec is EBU-TT part 1, defining an easy-to-use XML structure for the interchange and archiving of subtitles. It builds on the W3C Timed text Markup Language (TTML) 1.0, which was designed for exchange of textual information synchronized to timing signals over the Internet. This was initially developed for transcoding or exchanging timed text information among legacy distribution content formats already in use for subtitling and captioning within online video.
The second EBU-TT specification is STL mapping, designed to map legacy EBU STL files to the new EBU-TT format. As such this is a key requirement for support of subtitling in hybrid services.
Then the third specification is Live contribution, covered by EBU-TT Part 3 published in June 2015 for authoring and contribution of live subtitling. It also introduces the concept of processing 'nodes' that can help improve subtitling quality in production and reduce the effort involved.
You might also like...
Learning From The Experts At The BEITC Sessions at 2023 NAB Show
Many NAB Shows visitors don’t realize that some of the most valuable technical information released at NAB Shows emanates from BEITC sessions. The job titles of all but one speaker in the conference are all related to engineering, technology, d…
The Streaming Tsunami: Part 1 - Seeing The Tsunami Coming
Streaming video is on the cusp of becoming a major problem for broadband networks. Up to now we have been dealing with a swell in the streaming sea that has caused a few large waves to crash on to the…
Machine Learning (ML) For Broadcasters: Part 10 - Automating Workflows For Compliance & Moderation
Machine learning and some other AI techniques are increasingly being applied for many aspects of media content compliance and moderation, ranging from technical compliance for parameters such as loudness, to vetting for hate speech.
Compression: Part 6 - Inter Coding
The greatest amount of compression comes from the use of inter coding, which consists of finding redundancy between a series of pictures.
FAST vs. Linear TV: Part 2 - What Are The Real Differences?
FAST can deliver the promise of true personalization intertwined with mass market reach. This heady mix can maximize advertising revenues from the large audiences currently turning away from traditional Pay-TV services towards free streaming services.