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Big Chip Cameras For Broadcast – The Book

Broadcast cameras have adopted a very similar lens and sensor setup since the invention of the CCD. That’s no longer the case, and in a world where it pays to stand out, broadcasters are being drawn to somewhat more cinematic aesthetics.

Often based around large sensors and lenses, the adoption of these technologies can result in a shallower depth of field, a higher dynamic range, and a more luxurious production. This series examines this growing demand for cinematic aesthetics in broadcast, as well as how the advent of more affordable transitional cameras has already revolutionized the landscape for independent filmmaking and user-generated content.

Over the course of 12 articles it explores how large sensor camera technology is already delivering full cinematic experiences on the small screen and it uncovers the technical and creative challenges that this presents. It also questions the practicality of using large sensors in broadcast workflows, and details how smaller sensors are evolving to match the very same aesthetics.

Download the entire book for free here or access individual articles online below.

About Big Chip Cameras For Broadcast - The Book

Big Chip Cameras For Broadcast – The Book is a free PDF download which contains 12 original articles:

Article 1: The History Of The Camera Sensor
An examination of the historical relationship between cinema and broadcast camera technology & creative production techniques.

Article 2: The Drive For Larger Sensors
There are good technical reasons why large sensors are a simple but effective way to achieve improved noise, sensitivity and dynamic range.

Article 3: Operability & Integration Challenges
Large sensor camera evolution has spanned cinema & broadcast, with innovation driven by practical operability and integration challenges across both fields.

Article 4: Remote Camera Control & Vision Engineering
Integration of large sensor cameras into live workflows requires careful consideration of the combination of technologies and how they impact broadcast practices.

Article 5: Concerns Of The Operator
For skilled operators shifting to large sensor cameras is as much about differences in the optical capabilities of lenses as it is about the differences in control hardware.

Article 6: Photographic Considerations
An examination of the science of combining lenses and large sensors reveals a conundrum of variables in depth of field, aperture and zoom.

Article 7: Adaptation For Cinema Cameras
As interest in large-sensor broadcasting has grown, vendors have created purpose-built cameras aimed at achieving that extra gloss without altering working practices.

Article 8: Big Chip Broadcast Cameras
As demand grew, broadcast vendors responded with cameras designed from the ground up to combine large sensors with established broadcast workflows.

Article 9: Lenses For Big Chip Broadcast Cameras
Large sensors demand large lenses, and physics dictates unavoidable compromises in zoom range, size, weight, and cost.

Article 10: Low-Cost Cameras & User-Generated Content
Transitional big-chip cameras still face challenges fitting into traditional broadcast workflows.

Article 11: Reasons Not To Go Big-Chip
Large-sensor cameras might dominate high-end production, but smaller sensors have some advantages in broadcast workflows.

Article 12: Even Bigger Chips, Even Higher Resolutions
While large-sensor cameras have proven their staying power, the future may be more about flexibility rather than absolute sensor size.

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