DPA N‑Series Wireless System Unlocks Duplex Gap And Guard Band Access For North American Customers

DPA Microphones N‑Series Digital Wireless System users in North America can now take full advantage of the system’s exceptionally wide tuning range. Recognized for advanced features such as True Radio Diversity and a 400 MHz super‑wide tuning bandwidth, the new N-Series firmware provides customers in the U.S. and Canada with Duplex Gap and Guard Band access for a broader usable spectrum. DPA will unveil this update at NAB 2026.

With the new firmware, all N‑Series users will gain access to the 2 MHz Guard Band as well as the 6 MHz unlicensed portion of the Duplex Gap. Owing to the highly linear RF design and extremely low intermodulation characteristics of the N-Series, this increased space can accommodate up to sixteen additional wireless channels. That margin is significant for houses of worship, regional theaters, corporate AV environments and other multi‑channel applications.

Following the North American spectrum repack roughly eight years ago, two ‘safe’ operating areas were created within the 600 MHz range to protect new mobile broadband services. These areas are known as the Guard Band (614–616 MHz) and the Duplex Gap (653–663 MHz).

The Guard Bandis a 2 MHz segment between UHF Channel 37 and the start of mobile phone downlink spectrum. Any wireless system may operate here at up to 20 mW EIRP without an FCC license. Additionally, the Duplex Gap is a 10 MHz separation between mobile downlink and uplink frequencies, divided into two segments: 653–657 MHz, where operation is permitted for licensed wireless systems up to 20 mW EIRP, and 657–663 MHz, where operation is permitted for licensed or unlicensed systems, also up to 20 mW EIRP.

Users holding the appropriate FCC license can take advantage of the full 12 MHz of available spectrum. Thanks to the RF efficiency of the DPA N-Series, this additional space will accommodate up to twenty-four additional microphones and, because very few wireless systems support these frequencies, the environment typically has very low interference.

You might also like...

Virtual Production For Broadcast: Principles, Terminology & Technology

The technology and techniques of virtual production, from the camera back through the video wall, processors, and rendering servers.

Standards: Video - Advanced Video Coding (AVC)

AVC remains one of the most widely deployed video codecs in the world, but navigating its profiles, levels and signaling mechanisms is far from straightforward.

Standards: Video - Standards For Video Coding

From 4K to 32K, the demand for ever-larger video formats is pushing codec technology to its limits. This guide surveys the landscape of video coding standards – from legacy MPEG formats to AI-driven neural network compression – to help navigate the choices sha…

Virtual Production For Broadcast: After The Gold Rush - VP Gets Sensible

From back-projection to multimillion-dollar LED volumes, in-camera VFX has always rewarded the same discipline: matching technique to the task. After years of enthusiastic adoption on both produced and live content, virtual production is delivering on its promise. Not through spectacle,…

Standards: An Introduction To Standards

There are many standards relevant to the broadcasting and media industry. In this section we examine the background to standards, who develops them, where to find them and why they are absolutely and totally necessary.