Point Source Audio Selected For “Love Island” Reality-TV

Over the last 20 years, Productions Headroom has built its reputation as an innovative broadcast rental company that can deliver unique solutions for reality TV productions. Its latest innovation called on Point Source Audio microphones to create a robust solution that delivers pristine sound quality all while disguised as a necklace.

The ‘always-on’ nature of reality TV filming meant that the cost of repairing or replacing microphones would quickly add up and this led to the team looking for more robust solutions. “The breakage we were having was at the element and it was due to manipulation—the cast would manipulate the microphones every day three or four times a day getting in and out of the pool—which is always hard on the equipment,” recalls Jean-Sébastien Roy, Founder of Productions Headroom.

“I was using Point Source Audio waterproof mics a couple of years ago for another TV show so decided to reach out. We did some testing with the CO-8WLh high sensitivity omnidirectional lavalier, and compared to other miniature mics, we couldn’t tell the difference in sound quality.”

Since the contestants on the Canadian version of Love Island can be bare skin at times, the waterproof lavalier microphone would not be able to be worn with a traditional clip. Roy engineered custom necklaces containing the mics that could be worn subtly by contestants. The mic goes inside a bead—between weights and windscreen foam—so there is double protection from the wind. To steady the mic wire, rubber rings were added on the outside.

The necklace mics got a thorough test on the reality show and came through with flying colors. “After three quarters of the season only two mics had broken, which is a miracle,” said Roy with a smile. “With our experience in the field, we know that historically, we would’ve needed a lot more mics to cover the losses.”

There has also been a positive reaction from the shows that they have been used on. “People who’ve used them have said they are perfect and sound great,” reveals Roy. “Everybody has been super-happy with these mics.”

Finding mics that could provide high quality sound and could withstand difficult weather conditions and/or breakage solves a big challenge for Roy’s productions: “We have another show coming up in the summer and we’re using the same setup for that show.” 

You might also like...

Designing IP Broadcast Systems: Integrating Cloud Infrastructure

Connecting on-prem broadcast infrastructures to the public cloud leads to a hybrid system which requires reliable secure high value media exchange and delivery.

Designing IP Broadcast Systems: Where Broadcast Meets IT

Broadcast and IT engineers have historically approached their professions from two different places, but as technology is more reliable, they are moving closer.

Comms In Hybrid SDI - IP - Cloud Systems - Part 2

We continue our examination of the demands placed on hybrid, distributed comms systems and the practical requirements for connectivity, transport and functionality.

NAB Show 2024 BEIT Sessions Part 2: New Broadcast Technologies

The most tightly focused and fresh technical information for TV engineers at the NAB Show will be analyzed, discussed, and explained during the four days of BEIT sessions. It’s the best opportunity on Earth to learn from and question i…

Standards: Part 6 - About The ISO 14496 – MPEG-4 Standard

This article describes the various parts of the MPEG-4 standard and discusses how it is much more than a video codec. MPEG-4 describes a sophisticated interactive multimedia platform for deployment on digital TV and the Internet.