Audio-Technica 8.0 Mics At The Core Of DORNA Sports MotoGP Productions

Dorna Sports confirm Audio-Technica 8.0 microphone concept as core component of MotoGP immersive audio remote production initiative.

Following nearly three seasons of extensive prototype testing of Audio-Technica’s 8.0 Microphone Concept at MotoGP, the Grand Prix motorcycle racing Championship, commercial rights holder Dorna Sports S.L. have moved to make the 8.0 microphone a core audio component of its future programme broadcasting which includes ambitious plans towards remote production.

Located at Dorna Sports’ Barcelona, Spain facility, the extensive remote production suite, which is planned to be phased in through the 2024 Season, will include a custom-built 7.1.4 / 5.1.4 dedicated Audio Control Room to mix immersive audio received from the track in real time. Audio-Technica 8.0 Microphones are to be located at the podium, parc fermé, pit lane and key positions around the racetrack.

While the Audio Control Room will remain static, audio acquisition at the track needs to capture the complex dynamic audio content of the premier global motorcycling event while also being practical in terms of set-up and breakdown, given that there can be over twenty GPs around the World each season. Audio-Technica’s 8.0 Microphone Concept is designed to be lightweight and small enough not just for discreet placement in a field of play, but each of the eight 12mm elements can be removed from the core mount and packed away quickly in a compact case, making for fast deployment by a single operator.

The simplicity of the 8.0 Microphone Concept is also its advantage as producers and engineers who wish to capture immersive audio content in a real time and fast-paced environment, such as live sports, will have a practical and uncomplicated solution without the additional algorithms and decoding required in alternative immersive audio capture applications. As well as sports broadcasting, Audio-Technica see several applications for their new microphone design including concert halls and outdoor festivals.

“The ongoing design and technical feedback that we have received from the Dorna Sports audio team, who started out with just a 3D-printed prototype, has been both invaluable and instrumental to our fast development of the 8.0 Concept” states Rodrigo Thomaz, Audio-Technica Project Manager for MotoGP; “and indeed the learnings gave us confidence to provide over twenty pieces to the host broadcaster responsible for delivering the summer fortnight of sports around the globe in immersive audio from Japan earlier this year.”

“As audiences expect and demand a more encompassing audio experience in their listening environments” continues Thomaz, “the need for real-time live immersive mixing is only going to increase. Audio-Technica are well placed to deliver the tools required at the beginning of that immersive signal chain.”

Audio-Technica plan a market release of their 8.0 Microphone in 2022. Full specifications and pricing are expected nearer to this time.

You might also like...

Next-Gen 5G Contribution: Part 1 - The Technology Of 5G

5G is a collection of standards that encompass a wide array of different use cases, across the entire spectrum of consumer and commercial users. Here we discuss the aspects of it that apply to live video contribution in broadcast production.

Virtual Production At America’s Premier Film And TV Production School

The School of Cinematic Arts at the University of Southern California (USC) is renowned for its wide range of courses and degrees focused on TV and movie production and all of the sub-categories that relate to both disciplines. Following real-world…

Why AI Won’t Roll Out In Broadcasting As Quickly As You’d Think

We’ve all witnessed its phenomenal growth recently. The question is: how do we manage the process of adopting and adjusting to AI in the broadcasting industry? This article is more about our approach than specific examples of AI integration;…

Designing IP Broadcast Systems: Integrating Cloud Infrastructure

Connecting on-prem broadcast infrastructures to the public cloud leads to a hybrid system which requires reliable secure high value media exchange and delivery.

Production Control Room Tools At NAB 2024

As we approach the 2024 NAB Show we discuss the increasing demands placed on production control rooms and their crew, and the technologies coming to market in this key area of live broadcast production.