Solid State Logic Announces System T V2.3 Release

Solid State Logic (SSL) has announced the latest V2.3 System T broadcast production platform release, adding new features to the entire range of System T consoles; S500, S500m, S300 and TCR. 

Relied on for live broadcast, event space audio recording and postproduction duties, SSL said the release adds DAW control, immersive audio, dynamic automation, patch manager CSV files, access control, event manager, scene automation and on-board FX rack.

Alongside the System T V2.3 release, the Network I/O V4.0 update includes ST 2110, ST 2059-2 and ST 2022-7 support for all devices, providing standards based AoIP and Dante technology simultaneously on the same chipsets.

This allows installations to leverage IP networks for both infrastructure and consoles-based audio routing workflows, without proprietary hardware TDM routers. It also adds support for TSL UMDv5 providing the audio operator with accurate information about the source currently presented on each fader.

An additional tone inject on the channel input provides simple signal path checking, while a new per path talkback inject for channel and bus direct outputs enhances communications switching and conferencing. A backfeed feature with mix minus assignment places the controls of a Mix Minus return bus directly on the incoming outside source channel.

Greatly simplifying operation for complex external line control, without the need to navigate to other layers or other systems. Cue and Auto Cue further simplify communication with outside and remote sources, greatly reducing the console operator’s tasks during broadcasts with complex remote feeds.

You might also like...

Essential Guide: Flexible IP Monitoring

Video, audio and metadata monitoring in the IP domain requires different parameter checking than is typically available from the mainstream monitoring tools found in IT. The contents of the data payload are less predictable and packet distribution more tightly defined…

Improving Comms With 5GHz - Part 2

This is the second instalment of our extended article exploring the use of the 5GHz spectrum for Comms.

Digital Audio: Part 10 - Adjusting Levels

Gain control in digital audio is essentially a numerical model of the same process in the analog domain.

Improving Comms With 5GHz - Part 1

As broadcasters strive for more and more unique content, live events are growing in popularity. Consequently, productions are increasing in complexity resulting in an ever-expanding number of production staff all needing access to high quality communications. Wireless intercom systems are…

ATSC 3.0: Right Place, Right Time

Many people and cultures celebrate special New Year dates. Organizations designate fiscal years. Broadcasters traditionally mark their new technology year mid-April, at annual NAB Shows. Old habits die hard.