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When setting up new audio monitors in a studio, their placement is an important choice in the successful operation of the monitoring system. Since no two rooms sound the same, here are a few tips to make the installation easier.
Due to advances in IP content delivery and production crew collaboration, new virtual tools are augmenting the connected studio. Broadcasters are now able to customize studios and workflows with virtual interfaces that talk directly to anything that touches the IP audio network. They’re replacing hardware newsrooms with virtual mixers, mobilizing the studio using tablets and other virtual interfaces in the field, and scripting their own version of what broadcast looks and feels like.
Sometimes — when boom or lavalier mics aren’t appropriate — engineers must record good audio with microphones hidden on a set. This can be a challenge. Here’s a look at how to hide microphones for maximum effect.
For engineers with a taste for adventure, nothing beats the complex challenge of live recording. On location, anything can happen and often does. It can be a test of one’s wit, preparedness and skill. Here are a few tips on how to be ready for it.
Today, as video crews get smaller and are often only one-person, audio inevitably suffers. Many times no one even monitors sound on a location shoot. For proof of this, watch any local newscast and listen to the sound. Of course, bad sound is usually preventable if the videographer takes minimum steps to prevent it.
One of the most useful technological advancements for conducting interviews is Skype. Call anywhere in the world and — in most cases — get a clean audio and video feed that can be used on-the-air, in a documentary or on a podcast. A frequent question is how does one record a Skype call.
Since the beginning of audio production, engineers have used full-sized headphones and speakers to monitor sound. Then in-ear monitors came along. At first, they were used by musicians on-stage. Now in-ear monitors are so good, many engineers use them for studio monitoring.
Amidst swirling competition and a need for new revenue, radio personalities have expanded their audiences and their reach by installing video cameras in their studios and broadcasting from remote sites related to their genre’s scope. This has been particularly true of sports talk radio shows, which use major sporting and entertainment events to draw their listeners in. They have also invested heavily in live remotes to attract attention.