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The team at NFL Media share invaluable insight into the truly huge AoIP comms system at their Hollywood Park production center.
Huw Bevan is an Executive Producer, Consultant and Head of Cricket for Sunset+Vine, in London, one of the UK’s leading independent sports production companies that produces a full slate of rugby, soccer and cricket events each year. This interview with him brings insight into the role of the creative project manager and its crucial place in the techniques and technology of live sports broadcast production.
As broadcast production begins to leverage cloud-native production systems, and re-examines how it approaches timing to achieve that potential, audio and its requirement for very low latency remains one of the key challenges.
The Applied Psychoacoustics Lab (APL) at the UK’s University of Huddersfield is an experimental hub created to advance our knowledge of the mechanism of human auditory experience, and provides perceptually-motivated solutions to audio engineering problems. Opened in 2013, its critical listening room has always relied on Genelec, and a recent upgrade to Genelec’s ‘The Ones’ Smart Active Monitors is supporting further advances in research.
How adding PTP to asynchronous IP networks provides a synchronization layer that maintains fluidity of motion and distortion free sound in the audio domain.
Studio Technologies, manufacturer of high-quality audio, video, and fiber-optic solutions, announces the release of its new Model 214A, 215A, and 216A Announcer’s Consoles. The three units are designed to serve as the audio control center for announcers, commentators, and production personnel.
This article describes the various codecs in common use and their symbiotic relationship to the media container files which are essential when it comes to packaging the resulting content for storage or delivery.
This is a list of the commonly used media container file formats, their owners and the dates when they were created.