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In the last article on Cloud Broadcasting we looked at the concept of “Cloud Washed” and “Cloud Born” and the considerations vendors must look at when delivering true cloud systems. In this article, we look more at resilience and cloud system up time.
What’s the difference between mic and line level audio? If you think this basic question is overly simple, you might be surprised to learn that many people working in pro audio today don’t know the difference. An explanation is in order.
When using different microphones, some models require less gain than others. In layman’s terms, that means some mics are “hot” or especially “loud” while others are not. In technical terms, this is “sensitivity.” But what does it mean and why does it matter to the sound recordist?
Reality cookery show My Kitchen Rules finally hits the US on 12 January, with five celebrity couples showing off their culinary skills to each other and two professional chef judges. Because the action takes place in the contestants’ homes, the production teams had to build facilities on site and use wireless microphone technology from WisyCom to capture both what was being said and the sound of cooking and food preparation.
Implementation of software in public clouds might not be as straightforward as it seems. Outdated software licensing models restrict one of the fundamental advantages of cloud systems, that is their ability to grow and shrink as the dynamics of the business demands, sometimes by the hour.
Today — for all but a few well endowed recordists — the new studio is in a home, office or makeshift location. The era of big, professionally-designed recording studios is mostly history. With this new reality comes the need to treat the acoustics of rooms never designed to be studios. It can be a challenge without facts on your side.
On Febuary 12, when Alan Blumlein receives the Grammy’s Technical Award, few in the audience will grasp the profound implications of his life and work. But Blumlein, a visionary engineer whose greatest work happened in the 1930s, changed and still affects modern stereo recording to this day.
When purchasing a new studio condenser microphone, buyers are immediately faced with the choice of small and large diaphragm types. What are the sonic differences, and which type is best for a certain application?