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The opening of the rebuilt and refurbished Television Centre in west London was one of the most anticipated broadcast installation events of 2017. Five years on from being closed after the site was sold by the BBC, a smaller studios complex is now in operation. The facility is equipped with a 4k IP video infrastructure, while the audio side features Studer mixing consoles and the first installation of the new Riedel DECT-based wireless intercom running on an AES67 network.
In the early days of video production, there were so many limitations to the emerging technology that many engineers developed a negative attitude toward trying just about anything new. When a novel idea was proposed, these engineers would simply say “NO,” and then offer some reason to build a box around it.
In this “how small can we make it” world, it was inevitable that podcasting would merge with iPhones, iPads and other iOS devices. Now, it is possible to carry an international radio station in your pocket or shoulder bag. That was unimaginable not even a decade ago.
Because of the the holiday season, a lot of young people now have new video gear and may be anxious to try out their video production skills. The good news is today’s technology can provide great images at a lower cost than ever. An important, less technical, skill is for the director to bring organizational skill to the shoot.
Recording the human speaking voice can be one of the trickiest tasks a professional sound recordist encounters. Even when working with seasoned professional voice artists, problems can creep in. Here are a few of them and how to solve the problem.
One of the stark differences between pro audio and video is the pursuit of vintage technology. As video technology continually improves, most working professionals go after the latest gear as soon as it hits the market. For audio, on the other hand, the pinnacle for many professionals are vintage components from decades ago. Why the huge difference?
Acoustic impedance is analogous to electrical impedance, and we all know that impedance matching is important in electronic systems. Here John Watkinson looks at the importance of acoustic impedance to loudspeaker design.
Nearly 50 years ago — 1969 to be exact — Sony introduced the ECM-50, a tiny peanut-sized electret condenser lavalier microphone that virtually ended the reign of large, cumbersome microphones used in television broadcasting. Since then, the scope, quality and price of lavalier microphones has dramatically expanded. Here’s a look at what’s available now.