In this new series, it will be seen that color is a complex subject and all the more so for being multidisciplinary. The difficulty with such a large subject is that it is hard to leave things out when they are so fascinating.
The portable video industry began in the mid-1970s using nickel-cadmium batteries with primitive charging circuits. Enough Ni-Cad batteries for one-day’s use often weighed more than the heavy first-generation portable broadcast camera itself. Today, lithium-ion batteries have improved life dramatically. But on the horizon is a new battery technology — solid-state — which promises greater safety, longer life and faster charging.
In an era of rising programming costs, media companies are looking for ways to reduce production budgets, through both live remote control operations leveraging the Cloud and the public Internet as well as the use of less expensive consumer-level technology.
The movement behind 8K has gained momentum and met growing resistance at the same time as it attempts to break out from its Japanese roots after being nurtured for over a decade almost single handedly by NHK.
In part 8 of the series “Data transmission and storage”, consultant John Watkinson looks at some of the intricacies of RF transmission.
Two years ago, I put a complete iPhone video production package into a single shoulder bag. This week, I eliminated the shoulder bag, creating an even better 4K shooting package that is virtually weightless. We are indeed in a new golden age of miniaturization.
As a follow-up to the CFexpress 1.0 specification first revealed in late 2016, the CompactFlash Association has announced the 2.0 update.
The ever-increasing use of small broadcast quality HD cameras with wide angle or fisheye lenses have become increasingly prevalent. Their use can be found in live broadcast applications such as sport, ENG, wildlife programming, and reality TV, with non-broadcast use in medical, forensics/security and online gaming.