Recent Content

Automating HDR Look Management With Real-time Color Transforms November 21st 2022 - 09:00 AM

The global high dynamic range (HDR) market is expected to surpass $126 million by 2030, according to Allied Market Research. The projection shouldn’t come as a shock to media and entertainment (M&E) professionals who have been delivering HDR content for platforms like Netflix, Hulu, Disney+, and others for years. Meanwhile, HDR-capable displays have become standard in most production and post environments and across consumer displays. With these developments, HDR has emerged as the preferred production standard, and with just cause; HDR enhances imagery in ways resolution alone can’t while making for a more dynamic audience experience.

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Compression: Part 2 - Moving On From Analog November 17th 2022 - 09:00 AM

Compression is almost taken for granted despite its incredible complexity. But it’s worth remembering how compression has developed so we can progress further.

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HDR: Part 7 - LEDs - For Better For Worse November 15th 2022 - 09:30 AM

If we could get lights capable of full color mixing at the same price as conventional white-only ones, would we?

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Waves: Part 2 - Distribution November 10th 2022 - 09:00 AM

John Watkinson moves on to discussion of the effects of the medium waves are travelling in and explains why loudspeaker enclosures contain foam.

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Creating The Look & Feel For Netflix Film ‘Purple Hearts’ With Cinematographer Matt Sakatani Roe November 9th 2022 - 09:00 AM

Matt Sakatani Roe shares his experiences shooting the Netflix film ‘Purple Hearts’, staying hands on with the camera, staying close to the characters and leveraging natural light.

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Electricity: Part 7 - Lithium Batteries October 27th 2022 - 09:00 AM

Lithium batteries are all the rage on account of their low weight and high capacity. But how good are they really?

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Compression: Part 1 - Defining Terms October 20th 2022 - 09:00 AM

Compression is the ultimate enabling technology behind broadcasting. Without it, life would be very difficult indeed. In this new series, the whole topic will be explored at some depth.

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HDR: Part 6 - PQ And HLQ Cinematography October 18th 2022 - 09:53 AM

Like a lot of new ideas in film and TV, high dynamic range pictures are easy to like. The fear is that they’re far harder to create. In reality, HDR isn’t necessarily a huge burden, certainly not in the way that stereo 3D can be. It’s often been possible to take well-shot images which were produced with no thought of an HDR finish, and make them available in HDR via a fairly straightforward re-grading process. Most people are aware of the truism that proper exposure is the cinematographer’s first responsibility, and we should probably hold on to that thought.

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