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As part of any program production, audio mastering is the final step in the audio production chain. The last phase before transferring it to a master source for distribution to end listeners. Few people are genuine experts at audio mastering, because it has long required critical listening skills. Today’s software can help ease the process, but mastering is a subject every audio professional should understand and consider.
Matching the levels of two or more audio sources so that they have equal volume is essential to accurately mixing and comparing signals. Here’s how to do it.
Audio Post For ‘Billions’ With Eric Hirsch & Gregg Swiatlowski At Goldcrest NY
The multi award winning team at Goldcrest share their creative insight and technique through an exploration of the subtle soundscape for Billions. …Creating High Impact Video With Stereo Sound
There is a simple way — without spending a lot of money — for small scale video producers to gain a significant advantage in production value over many broadcast competitors. It involves audio — the part of every video production that offers the highest impact with viewers. …Using Mix Bus Processing in Pro Audio
Mix bus processing is using EQ, compressors and limiters on the output bus of an audio mixer. It can be stereo or mono, real or virtual and is used on the entire audio mix. These processors are used to “glue” the mix together, to make it punchier and to fix anyLUFS: Why Should Recordings Engineers Care?
Due to the much publicized loudness wars, we now have a standard to measure loudness: the EBU R128 specification. This is a look at how this standard applies to sound engineers doing live audio or recording for various broadcast media. …Windscreens for TV Newsgathering
Like most everything else these days, microphone wind protection has become a complex subject. There are many variations of wind protection equipment now on the market and some of it costs more than the microphones themselves. Guidance may be necessary for television news reporters who work on their own inGetting Rid of Plosives in Your Audio
Since the beginning of broadcasting, announcers and narrators have spoken closely to microphones to boost the gravitas in their voices. They use proximity effect to sound richer, fuller and more intimate than they might naturally sound. But when they get too close, the result can be plosives. Here’s how tOn Recording the Human Voice
Recording the human speaking voice can be one of the trickiest tasks a professional sound recordist encounters. Even when working with seasoned professional voice artists, problems can creep in. Here are a few of them and how to solve the problem. …On Designing Audio for a Podcast
While it seems that everyone today is launching a new podcast, few know how to do it. Though on the surface it might appear easy, the devil is in the details. Here’s the right way to approach the task. …
