Marquis Brings Enterprise Version of Edit Bridge to the 2017 NAB Show

Marquis Broadcast is bringing an Enterprise version of their EDIT BRIDGE to the 2017 NAB Show giving more Interplay access over a single server connection.

“EDIT BRIDGE is all about finding Avid media in Interplay and then editing it in Adobe Premiere Pro CC or After Effects CC,” said Chris Steele, managing director of Marquis Broadcast during our pre-NAB Show 2017 interview with The Broadcast Bridge. “If the media is in the right codec, you can browse the folders and drag-and-drop it right onto the Premiere Pro time line and edit it as native Avid media. Then when you are done you can render it back down and check it back into Interplay using another of our Premiere Pro panels.”

As Steele describes it, that makes the process a simple round trip for Premiere Pro editors.

But perhaps as important, many Avid editors prefer using After Effects for their graphics creation and EDIT BRIDGE gives them equally easy access to that software as well.

“We also have a stand-alone panel that runs on a Mac or Windows platform that lets you select media and wraps it in an MXP OP1A (Material eXchange Format Operational Pattern 1a) file that can be dropped into any other editing product such as Apple’s Final Cut X or Grass Valley’s EDIUS.

The advantage of the Enterprise version of EDIT BRIDGE that Marquis is bringing to NAB Show 2017 is it requires only one Interplay Web Services connection for all edit seats connected to the EDIT BRIDGE server. By aggregating all those requests, it presents them as a single stream to Interplay.

EDIT BRIDGE collaborative network with Avid ISIS (click to expand).

EDIT BRIDGE collaborative network with Avid ISIS (click to expand).

Given appropriate network throughput and scaling, it will enable potentially hundreds of Adobe Premiere Pro CC, Adobe After Effects CC and Apple FCP X users to connect to Interplay ISIS/NEXIS for real time simultaneous collaborative distribution.

“Our EDIT BRIDGE server does all the transcoding,” Steele said, letting editors who pilot the other NLE’s access Avid storage as easily as Media Composer pros can.

“I know several broadcasters who use Media Composer to edit their high end main programming,” Steele said, “but push their promos or Web content out to the other brands of NLE’s which can sometimes operate faster and more flexibly.”

Crucially, Steele sees this as part of Avid’s continuing commitment to being an open platform.

“We were one of the first to become part of the Avid Alliance partnership,” he said, “and are working to make the Avid infrastructure more accessible to a wider community of post production users.”

EDIT BRIDGE. The name sort of describes exactly what it does.

You might also like...

Delivering High Availability Cloud - Part 1

Broadcast television is a 24/7 mission critical operation and resilience has always been at the heart of every infrastructure design. However, as broadcasters continue to embrace IP and cloud production systems, we need to take a different look at how we…

The Peril Of HDR: Just Because You Can Doesn’t Mean You Should

There is a disturbing and growing consensus among viewers that many movies and TV shows today are under illuminated or simply too dark. As DOPs, we surely share some of the blame, but there is plenty of blame to go…

Waves: Part 9 - Propagation Inversion

As a child I came under two powerful influences. The first of these was electricity. My father was the chief electrician at a chemical works and he would bring home any broken or redundant electrical parts for me to tinker…

The Sponsors Perspective: What Are You Waiting For?

Cloud based workflows are here to stay. So, there are no longer any technical or production-based reasons not to take full advantage of the opportunities this can bring to broadcasters.

Broadcast And The Metaverse - Part 2

The Metaverse may seem a long way off but the technology underpinning its rapid deployment is here today and has the potential to empower broadcasters to improve the immersive viewing experience.