At the 2017 NAB Show, Point Source Audio (PSA) introduced a redundant dual element lavalier microphone in a single, self-contained housing.
Point Source said the dual element lav was designed for talent requiring microphone backup assurance in live broadcasting and production environments.
The redundant microphone will offer broadcast and production technicians a method of providing backup for on-air broadcasts of live talent. The mic can be used with the company’s thin Slider mic clips or Embrace Earmounts.
The usual method of redundant mic’ing can be achieved with two separate microphones. However, audio between them may vary due to differences between the microphone brand, the microphones’ age or variances in the specifications.
Point Source’s redundant mic solves this challenge with elements that are factory matched in frequency and sensitivity so when backup is initiated, any difference in performance is nearly undetectable.
The built-in backup design creates a single wire path into the mic’s housing. The mic cable splits approximately nine inches above the connection to the body-pack transmitters to allow room for separation of the transmitters.
The matched redundant microphone will be available as a standalone lavalier or within the Embrace category of earmountable lavaliers. Both models have an omnidirectional pick up pattern, 136dB SPL and are water/sweat proof rated to IP57.
You might also like...
The multi award winning team at Goldcrest share their creative insight and technique through an exploration of the subtle soundscape for Billions.
Podcasting is an increasingly popular pastime in the U.S., with an estimated 120 million podcast listeners in 2021. Back in 2006, only 22 percent of the adult population was aware of podcasting. By 2021, this figure had risen to 78 percent. Podcasting is becoming an…
We continue our discussion of broadcast audio workflow with multi-award winner Robert Edwards. We look at the many challenges that come when a live audience is added to the broadcast mix.
As the wider broadcast industry picks up the pace with virtualized, cloud-native production systems we take a look at what audio vendors currently have available and what may be on the horizon.
We continue our series on Broadcast Audio Systems with a discussion about workflow with multi-award winner Robert Edwards. We look at general purpose workflows, and some considerations for different types of production across news, sports and chat shows. As the…