The SK-UHD4000 camera gives the school the benefits of 4K acquisition at an affordable price. Photo credit: Monique Saenz.
Brigham Young University-Hawaii (BYU-Hawaii) is dipping its toe into 4K waters with the purchase of four SK‑UHD4000 ultra high definition (UHD) studio and field cameras from Hitachi Kokusai Electric America. With the school’s six-year-old HD cameras due for replacement in the university’s equipment cycle, they turned to the added resolution of 4K Ultra HD to future-proof their content for subsequent workflow upgrades. The move also raises the bar on student productions by providing them with superior-quality video acquisition capability for its diverse projects and long-term content archives.
Situated on the island of Oahu in Laie, Hawaii, BYU-Hawaii hosts approximately 2,500 undergraduate students who represent over 70 different countries and cultures. At BYU-Hawaii’s Media Production Center (MPC), staff and students produce programming for use both within and beyond the 100-acre campus. Internal productions range from recruiting videos to the live, campus-wide broadcast of the university’s weekly devotional on topics relevant to the LDS Church. Original programs including educational shows, documentaries and live BYU-Hawaii Seasider volleyball and basketball games are broadcast on BYU Television, reaching more than 53 million U.S. households via cable and satellite, plus a global audience through its website, Roku channel and mobile apps.
“We are frequently asked by the Church or within the university to bring back historical footage, so the quality of our archives is very important,” said Brenn Nakamitsu, MPC field production manager at BYU-Hawaii. “The future of our footage all starts with the camera, so capturing and archiving it in 4K today will enable us to make the best use of it later when we move to full 4K production.”
While satisfied with the performance and reliability of the university’s earlier Hitachi HD cameras, BYU-Hawaii looked again to Hitachi Kokusai for their move to Ultra HD and found a great fit. “The SK-UHD4000s gave us 4K at a price that fitted our budget, while providing the same rich features we had in HD,” said Nakamitsu. “Their ability to directly use standard B4-mount bayonet lenses was also a significant benefit, as it allowed us to get started with 4K using our existing HD lenses until we have the budget to replace those too.”
BYU-Hawaii student Christopher Johnson operates one of the school’s HITACHI SK-UHD4000 Ultra HD cameras.
Photo credit: Monique Saenz.
Nakamitsu said the multi-format flexibility of the SK-UHD4000 camera has proven ideal for BYU-Hawaii’s transition from HD to 4K.
“For now, we’re continuing to shoot HD for sports, but for bigger events such as the inauguration of our university president, we shoot 4K,” he said. “The camera system’s concurrent output capabilities and built-in down-conversion let us archive in 4K while simultaneously broadcasting in HD.”
Used for projects both in-studio and in the field, the SK-UHD4000 cameras are connected over the campus’ fiber infrastructure to CU-UHD4000 camera control units (CCUs) in the centrally-located studio control room, with 4K footage archived to Atomos Shogun standalone recorders directly from the CCUs. Utah-based reseller RIA Corporation supplied the cameras and accessories (LCD viewfinder, etc.)
“We can definitely see the difference when we shoot 4K, even when we’re using our older lenses,” said Nakamitsu. “In some cases, we’re still using old SD lenses, not even HD, and we still get great quality.”
The SK-UHD4000’s ease of use is delivering ongoing benefits for staff and students alike. Nakamitsu said that 90 percent of their crew members are students gaining valuable work experience in broadcast production, which results in high turnover each year as they graduate.
“The Hitachi cameras’ short learning curve minimizes training requirements, and they’re simple enough to operate that we can quickly trust the students to use them.”
You might also like...
NASCAR Productions, based in Charlotte NC, prides itself on maintaining one of the most technically advanced content creation organizations in the country. It’s responsible for providing content, graphics and other show elements to broadcasters (mainly Fox and NBC), as w…
New England Patriot quarterback, Tom Brady, entered Mercedes Benz stadium in Atlanta, GA on February 3rd having already won five Super Bowl games. And through four-quarters of play, all delivered by a television crew of hundreds of technicians, sports casters…
Super Bowl 2019 will raise the bar for live broadcasting technology with innovations in augmented reality (AR) and use of at least one 8K camera, while also highlighting past innovations that have fallen out of favor.
Like many professional football players themselves, CBS Sports Lead television director Mike Arnold tries to treat the Super Bowl as he would a regular season game, calling the same shots and camera angles—albeit with many more cameras at his d…
During Super Bowl LIII, the football action will be on the field. But a lot of the action will be enhanced by incredible new graphics, some virtual, that CBS is using to super charge the screen.