At WRAL, ATSC 3.0 Is On The Air

A new experimental TV station has one viewer. Only a handful of TV sets in the world today, including three in the U.S. can receive ATSC 3.0 broadcasts. Television station WRAL is broadcasting a new ATSC 3.0 channel has one of the rare prototype sets that can receive and display the new format and represent the channel’s only viewer—an audience of one.

As you read this, WRAL is broadcasting ATSC 3.0 on an experimental STA license from the FCC. “The only silicone that can receive the signal is in a handful of LG sets,” according to Capitol Broadcasting Company’s WRAL Director of Engineering and Operations Peter A. Sockett. “We hear that there are maybe 10 TV sets, 3 in the U.S. at this point and LG has graciously lent WRAL one of them.”

Sockett describes the project as “a leap from paper to the real world. Stubbing our toes, getting out there early allows us to learn it first. We embrace technology, it's who we are. What a fun place to work!"

Science Fair

“Right now,” says Sockett, “is about making it work. The LG receiver silicon is an older version of the physical layer.” ATSC 3.0 is an evolving candidate standard that prototype receiver silicon slightly lags. “All of the gear from the different manufacturers is working,” Sockett said. “but yes, it does feel like a science fair project.”

Time was perhaps the biggest challenge getting the experimental ATSC 3.0 broadcasts and simulcasts on the air. Capitol Broadcasting Company wanted its experimental ATSC 3.0 station on-air before the 20th anniversary of its first experimental ATSC 1.0 HD broadcast in the U.S. on 23 July 1996. The new ATSC 3.0 experimental station signed on with programming June 29th this year, nearly a month ahead of schedule.

The ATSC 3.0 experimental broadcast is the only full time simulcast, real-world test facility in the U.S. “The whole reason behind it is not high-level lab tests,” Sockett said. “It’s figuring out the real world characteristics of this new format.” Much of the build out relied vendors to effectively move their laboratory test benches to the station. What is taking place at WRAL is not only historic, but scientifically necessary to verify real-world success.

Several companies have partnered to help create the real-world lab. Harmonic provides 4K encoding with its Vibe 4K. Keepixo provides Dash Packager to IP transport stream to DASH packager. Triveni Digital provides signaling and announcement, including the program info and advanced emergency alerting. Monroe Electronics Digital Alert Systems provided the EAS technology. The output is routed, encoded and sent to a GatesAir XTE Exciter.

The tunable ERI mask filter minimizes spurious and harmonic interference transmissions.

The tunable ERI mask filter minimizes spurious and harmonic interference transmissions.

Because Channel 39 is a new channel for WRAL, they bought a new GatesAir 7KW ULXT liquid-cooled UHF transmitter, and an Electronic Research Inc. (ERI) field tunable mask filter.

The antenna feed line is the same transmission line WRAL installed 20 years ago for its ATSC 1.0 experimental broadcasts. Since it was originally installed, station engineers kept the transmission line dry and clean, and it was ready to be used again.

The line is connected to a new ERI panel antenna through the tunable ERI mask filter. The antenna radiates 40 KW ERP horizontal and 30 KW ERP vertical creating an elliptical and directional pattern towards the city while protecting other channels in the market. The antenna’s center of radiation is at 530 meters AGL (1738 feet).

Field testing

“The station, needs a demod small enough to put in the RF truck that gives statistics,” Sockett said. “The RF is behaving as you would expect on a spectrum analyzer, but it’s impractical to drive around in a truck with a 65” TV and impossible to get more than yes or no statistics with it.”

Sockett explained, “The experimental station had two encoders at the launch, allowing us to do both HD and UHD on day one. The first program stream consisted of an upconverted WRAL 1080i simulcast to 1080p on channel 39.1. The second channel, 39.2, is a 4K production, shot, produced and broadcast in 4K HDR.” The station is presently looping the 4K HDR PCAP file for continuous 4K broadcasting on 39.2.

The station is preparing to bump the looped file to get the Rio Olympics on the channel in 4K. How will that work? Sockett says his satellite receiver outputs a high-bandwidth HEVC transport stream that he plans to convert to 4K and re-encode. “It’s an intermediate step, that given more time we could avoid the re-encode, but for now it works. It’s just another part of the science fair,” he said.

A live EAS test as seen on ATSC 3.0 TV. The red “more” button on lower right invites a click for rich media details.

Another step in experimental TV broadcasting is emergency alerting. WRAL was big in Mobile EAS implementation (M-EAS), which is IP based and introduced with MobileDTV in 2012.

The new ATSC 3.0 experimental station recently aired a test Advanced Emergency Alerting (AEA) message that started with a demo AEA banner.

The LG receiver successfully clicked though to the rich media. The station will also be experimenting with the wake-up bits in the future.

“Picture quality is first and foremost right now, but the benefits of an IP-based broadcast format will enable new applications that we haven’t even imagined yet. The ATSC has enabled the creative people of the world to develop new run-time environment packages. We built the sandbox, now other people can come play in it," Sockett said.

Photos courtesy Peter Sockett.

You might also like...

Designing Media Supply Chains: Part 3 - Content Packaging, Dynamic Ad Insertion And Personalization

The venerable field of audio/visual (AV) packaging is undergoing a renaissance in the streaming age, driven by convergence between broadcast and broadband, demand for greater flexibility, and delivery in multiple versions over wider geographical areas requiring different languages and…

The Importance Of CDN Selection To Achieve Broadcast-Grade Streaming Experiences - Part 1

Multi-CDN is a standard model for today’s D2C Streamers, which automatically requires a CDN selection solution. As streaming aims to be broadcast-grade and cost-effective, how are CDN Selection solutions evolving to support these objectives?

Information: Part 6 - Loudspeakers

Information theory can also be applied to loudspeakers, which are among the most difficult of transducers to design. Measuring the information capacity of loudspeakers is a useful tool.

Transforms: Part 8 - Aperture Effect

Here we look at some practical results of transform theory that show up in a large number of audio and visual applications.

“Cloud-Native” Is More Than Just A Concept At IBC 2022

As broadcasters and content distribution services continue to look for the most cost-effective ways to create and distribute content in the cloud, equipment vendors have shown the flexibility of their respective technologies to be operated remotely, with precision and efficiency.