Genlock Digital Imaging Future-Proofs With Leader’s 12G Video Waveform Monitor

Clint Paglaro, one of Canada’s most experienced Digital Imaging Technicians, has joined the growing number of film and TV production facilities, post-production houses and broadcasters investing in Leader test instruments as master reference tools. Founder and operator of Genlock Digital Imaging, he recently chose an LV5350 waveform monitor for use alongside his LV5330.

"I’ve been in the industry for more than 20 years now," Clint comments. "Over all this time, Leader has been the best and in my experience the only option for waveform monitors and vectorscopes. As 4K SDI imaging is now upon us, I chose the new and future-proof LV5350 for its 12G capabilities.

"Today I use Leader equipment in my work as a DIT. Most recently, I've been working on television series projects in Vancouver, BC. We shot three seasons of 'Siren' and recently started season two of the drama series 'Motherland: Fort Salem'. My Leader LV5350 scope is able to handle the 4K 6G SDI signals coming off the Sony Venice cameras we are using.

"We currently use the LV5350 waveform monitor and LV5330 multi SDI test monitor, side by side on the DoP-DIT cart, to measure all aspects of camera exposure and color. These Leader systems are among the most important devices on set. The three features we use the most are waveform, vectorscope, and CINEZONE false color.

"The waveform is set up in a multicolored overlay with four color channels but I often keep it on multipage with the CINEZONE, waveform and vector on the same screen for general monitoring. We often go full-screen when doing precise readings but it is very useful to have an array of options for the monitor page layout. The screen capture function is also handy.

"I work closely with the DoP designing the look of each show before it hits the lab, and I help to get the colors and tones dialed in so that dailies are color-timed just right. The DoP and I set up light and color levels using the Leader devices on my DIT cart right off set, often in a dark tent. It helps us determine color temperature and light levels.

"We also use the Leader instruments to monitor the live color grading we do on set with the stand-ins, or second team, then fine-tune when the actors or first team are on camera. At every step in the filming process, our Leader products provide crucial information about all the cameras we are shooting with.

"When we send color-timed footage to editorial, the DoP and final colorists don’t have to worry about the broad strokes because the colors and tone are set from the get-go. Because they don’t have to work from scratch, they have more time to fine-tune images.

"Leader products play a vital role in helping bring the DoP's vision to life. Even before I owned my own equipment, Leader devices were in all camera rental houses across North America. Their waveform monitors are the most precise, intricate and well thought out of all available devices on the market. When it was time to purchase my own, there was no doubt that I was buying Leader."

You might also like...

HDR: Part 18 - The Resolution Ruse: It’s Not All Peaches And Cream

With Blackmagic recently introducing a new 12K camcorder, the question arises (once again) how much resolution is enough. After all, even the most fervent resolution junkie would have to agree there is a practical upper limit to resolution and how…

Creative Analysis: Part 15 - Cinematographer Nancy Schreiber On P-Valley

Often, performers at a strip club are fleeting characters in a film or television production, sometimes reduced almost to the level of production design. P-Valley, produced for Starz by Chernin Entertainment, is based on Katori Hall’s stage play Pussy V…

Creative Analysis: Part 14 - Cinematographer Sebastian Thaler On 7500

According to International Civil Aviation Organization rules, if an airliner transmits a certain four-digit transponder code, the world should assume that it is being hijacked. The 2019 film 7500, directed by Patrick Vollrath, takes that code as its title and stars Joseph…

No More Flying Blind In The Cloud

Migrating live and file-based video services to the cloud holds the promise of huge flexibility in deployment architectures, geographical backhaul possibilities, virtually limitless peak provisioning, pay per use pricing, access to machine learning and other advanced intellectual property on-demand, and…

Is Gamma Still Needed?: Part 7 - HLG And PQ

The legacy gamma adopted in 709 and 240M has recently been supplanted by two more approaches to applying non-linearity to luminance, namely the Hybrid Log Gamma (HLG) system developed by the BBC and NHK and the Perceptive Quantizer (PQ) developed by…