Ikegami Adds 4K-UHD Master Monitor To HLM-60 Series

At the upcoming IBC Show, Ikegami will spotlight its full range of 4K and HD monitors. Among them is the new 31-inch 4K UHD master-grade monitor with a 4,096 × 2,160 pixel 10-bit resolution and high brightness (1,000 candela per square meter). The HQLM-3125X can be controlled remotely via Ethernet, RS-485 or locally from the front panel.

Designed for critical image evaluation in broadcast production control environments, the panel employs double-LCD-layer technology to achieve a 1,000,000:1 contrast ratio with true black reproduction. A layer of light-modulating cells allows pixel-by-pixel control of backlight intensity, reducing light leakage and black floating. Fully compliant with BT.2020 wide color gamut, the monitor incorporates single-channel 12G-SDI x 2, 3G-SDI × 5, 3G/HD-SDI and HDMI inputs as standard features. Viewing angle for critical image evaluation is a wide 178 degrees (horizontal/vertical). 1D and 3D LUTs are supported. 

In the same series, the company will show its HQLM-1720WR, a compact UHD HDR monitor for a wide range of broadcast applications. It is equipped with two 12G-SDI input channels as standard for efficient configuration with equipment such as cameras and switchers. 3G-SDI, HD-SDI and HDMI inputs are also provided as standard. The HQLM-1720WR employs a 16.5 inch 3840 × 2160 pixel UHD LCD panel using LED backlight and can reproduce high resolution 4K and 2K images.

Ikegami has introduced an HDR option for its HLM-60 family of HD Broadcast monitors that includes electro-optical transfer function tables for HLG, S-Log and S-Log3 in addition to conventional gamma.

Ikegami has introduced an HDR option for its HLM-60 family of HD Broadcast monitors that includes electro-optical transfer function tables for HLG, S-Log and S-Log3 in addition to conventional gamma.

At IBC Ikegami will also demonstrate an HDR option for its HLM-60 family of high-definition broadcast quality monitors. This option includes electro-optical transfer function tables for HLG, S-Log and S-Log3 in addition to conventional gamma. It can be added as a retrospective upgrade to all monitors in the HLM-60 series, which currently comprises models HLM-2460W, HLM-1760WR and HLM-960WR. All three can be controlled remotely via Ethernet, RS-485 or from the front panel.

Ikegami's HLM-2460W incorporates a 24-inch 10:9 Full-HD 1920 x 1200 pixel 400 cd, 10-bit resolution LCD panel. Multi-format SDI, 3G-SDI, HDMI, Ethernet and VBS inputs are provided as standard. Operating features include 2x and 4x zoom, dual-picture split, dot-by-dot display, timecode display, user-marker display (preset/user-configurable) and shadow function, under-monitor and in-monitor channel identification display. Test signal generation, waveform monitor and vectorscope facilities with adjustable image and test signal mixing are also provided.

A smaller version of the HLM-2460W with similar features, the HLM-1760WR has a 17-inch Full-HD 1920×1080 pixel 450 candela per square meter 10-bit resolution LCD panel.

Finally, Ikegami's HLM-960WR is a compact multi-format LCD monitor with a 9-inch Full-HD 1920 x 1080 pixel 400 candela per square meter 8-bit resolution LCD panel. It’s optimized for use in ultra-compact mobile production vehicles. This model offers very narrow front-to-back dimensions, light weight, AC or DC operation and low power consumption. An optional battery bracket is available. A USB connector on the front panel allows setup file storage and recall as well as control-menu navigation via a plug-in pointing device.

You might also like...

Interlace: Part 3 - Deinterlacing

Now that interlace is obsolete, we are left only with the problem of dealing with archive material that exists in the interlaced format. The overwhelming majority of video tapes, whether component or composite, analog or digital, would be interlaced.

Magicbox Puts Virtual Production Inside An LED Volume On Wheels

Virtual production studios are popping up across the globe as the latest solution for safe and cost/time-effective TV and movie production. This method replaces on location shooting and, by utilizing all-encompassing LED walls (often called “volumes”), is fundamentally changing the…

Celebrating BEITC At NAB Show

As we approach the 2023 NAB Show in the NAB centenary year, we celebrate the unique insight and influence of the Broadcast Engineering & IT Conference that happens alongside the show each year.

Interlace: Part 2 - Vertical Resolution

The human eye is not fixed and so it can track moving objects in real life and on screens. The tracking action changes everything. Without an understanding of tracking everything seems peculiar. With an understanding it seems obvious why certain…

Orchestrating Resources For Large-Scale Events: Part 4 - Monitoring Data For Efficiency & Forensics

Large-scale remote production systems can be complex and challenging to monitor, but IP presents many opportunities to capture and make use of rich data streams.