OConnor Introduces Latest Version Of 2575 Fluid Head

OConnor has introduced the 2575D fluid head, a new version of the 2575 range, that supports cameras weighing up to 90 pounds.
OConnor said the head features platform controls on the operator's side of the head, as well as a "one-touch" release lever that allows one finger or hand to quickly undo the safety catch and open the lever.
The 2575 fluid head range is known for many of its signature features, including OConnor's patented sinusoidal counterbalance system for accurate balance at any point in the tilt span.
The head's stepless, ultra-smooth pan-and-tilt drag gives operators ultimate control and shooting for film and broadcast productions.
You might also like...
Learning From The Experts At The BEITC Sessions at 2023 NAB Show
Many NAB Shows visitors don’t realize that some of the most valuable technical information released at NAB Shows emanates from BEITC sessions. The job titles of all but one speaker in the conference are all related to engineering, technology, d…
Magicbox Puts Virtual Production Inside An LED Volume On Wheels
Virtual production studios are popping up across the globe as the latest solution for safe and cost/time-effective TV and movie production. This method replaces on location shooting and, by utilizing all-encompassing LED walls (often called “volumes”), is fundamentally changing the…
Celebrating BEITC At NAB Show
As we approach the 2023 NAB Show in the NAB centenary year, we celebrate the unique insight and influence of the Broadcast Engineering & IT Conference that happens alongside the show each year.
Artificial Inspiration – Debating The Implications Of Training AI To Create Images
There is growing debate over the ethical and legal implications of using millions of images drawn from the internet to train AI powered software to create ‘new’ images. It feels like the beginning of a journey which could have profound imp…
Capturing Nitin Sawhney’s Ghosts In The Ruins
The 2022 City of Culture festival concluded with a performance created by Nitin Sawhney CBE. Filmed on the URSA Broadcast G2, an edited broadcast of Ghosts In The Ruins aired on the BBC.