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When mixing any audio program, it is no doubt that a good set of studio monitors in a well-treated acoustic space is the best way to go. But there are times, like at live concerts or sporting events, when the mix has to be done on headphones. Here are some tips of how to overcome issues with headphones on a live mix.
We are living in the new era of makeshift audio studios. Fewer and fewer major commercial studios exist today and the ones that do are expensive. Most professional and non-professional audio production is now being done in small scale studios in rooms originally built for other purposes.
All your chosen hardware is in place and working well. You are hard at work mixing your audio project. But the end result is disappointing. It just doesn’t sound that good. What’s wrong? It may have nothing to do with your gear.
Many wireless carriers and VoIP providers now offer improved voice quality using what is commonly referred to as HD Voice, or Wide-Band Speech technology. How do you harness this improved audio signal for news field reports and interviews?
This Case Study describes how AMP VISUAL TV using Riedel’s MediorNet achieved their objectives. It looks at the design considerations and advantages of using a decentralized routing system as well as the savings that were made in infrastructure cabling cost and weight.
Due to the much publicized loudness wars, we now have a standard to measure loudness: the EBU R128 specification. This is a look at how this standard applies to sound engineers doing live audio or recording for various broadcast media.
Telephone audio sounds reasonably good on most news interviews. But, often, annoying hum and buzz is found in telephone recordings. Where does it come from and what can be done about it?
Like most everything else these days, microphone wind protection has become a complex subject. There are many variations of wind protection equipment now on the market and some of it costs more than the microphones themselves. Guidance may be necessary for television news reporters who work on their own in the field and need protection against strong wind, but don’t want to handle unwieldy gear.