Always at the inventive forefront of broadcasting, sports demand highly optimized delivery systems that maintain the maximum quality of experience possible. Keep up to date and up to speed with the industry innovators.
Production companies and various sports channels (and leagues) in the U.S. and abroad have been eager to test the new generation of 5G equipment in an effort to take advantage of its promised lower-latency, ultra-fast speeds, and enhanced capacity. Although compatible consumer phones and the required network infrastructure to support millimeter wave (AT&T’s “5G+”) technology is not yet widely deployed, a number of successful tests have been conducted that show its promise.
By any measure, this year’s 2019 2nd European Games in Minsk, Belarus from June 21-30 were a major sports undertaking that required a lot of technical coordination and logistical skill to make happen. Over 4,000 athletes from 50 European Countries competed in 15 different sports and 23 disciplines. International Sports Broadcasting SL (ISB) served as the host broadcaster for the Games.
Immersive audio transforms the listening environment to deliver a mesmerizing and captivating experience for a wide range of audiences and expansive group of genres.
Audio normalization is the application of a constant amount of gain to a recording with the goal of bringing the amplitude to a target level. The signal-to-noise ratio and relative dynamics of the audio remain unchanged in the process because the same amount of gain is applied across the entire recording. Is it a good practice to normalize audio? The answer is: sometimes.
Sweden’s national public broadcaster Sveriges Television (SVT) partnered with Net Insight, Grass Valley and EVS to undertake remote IP production for the broadcast of the FIS Alpine World Ski Championships in Sweden earlier this year. Here’s how it was done.
In designing their new AK-UC4000 4K/HD studio camera, the engineers at Panasonic recognized that current 4K UHD studio cameras use smaller pixels to create a higher resolution image. This, they said, leads to less sensitivity and a “noisier” image because there’s less dynamic range.
At the InfoComm 2019 Show in Orlando, Riedel Communications will spotlight its Artist-1024, the newest addition to the company’s intercom ecosystem. This new node complements the Artist family with 1024 ports in just 2 RU and a focus on IP installations with its full SMPTE ST 2110-30/31 (AES67) compliance.