HDR

Emerging standards are making the best of existing pixels. Understand the principles of HDR, learn how to build workflows to simplify production, and deliver the highest quality HDR pictures possible.

Recent HDR Content

The Blackmagic Design exhibit traditionally welcomes you to the South Hall lower

Blackmagic Design at NAB 2019May 6th 2019 - 09:00 AM

From an 8K switcher to a new 4.6K camera, you could hardly get through the packed Blackmagic Design exhibit to see its most talked about excitement, the new DaVinci Resolve 16.

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The Grass Valley exhibit was fronted by a day-long eSports competition.

Grass Valley Has Big News for EDIUS and Rio at NAB 2019May 1st 2019 - 01:50 PM

With the benefit of two high end NLE’s, EDIUS and Rio, Grass Valley is continuing its advancements in all aspects of post-production.

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Insight TV has set out its stall as a UHD specialist.

Insight TV Offers Its UHD Content To NCTC Members In USApril 24th 2019 - 01:00 PM

Insight TV has signed an agreement with the National Cable Television Cooperative (NCTC) to provide NCTC members with its UHD (Ultra HD) content network across the US.

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Nick Rashby addressing the Monday morning NAB 2019 AJA press breakfast

AJA at NAB 2019April 23rd 2019 - 11:00 AM

AJA Video continues its tradition of providing enabling technology to assist the content creation community to handle the new formats and protocols that are empowering our rapidly evolving age of production.

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The 2/3-inch CJ18ex28B lens features a zoom range of 28-500mm (56-1000mm with built-in 2X extender).

Canon To Show New 2/3-inch 4K Broadcast LensesApril 6th 2019 - 03:00 PM

Looking to address the demand for affordable, high-quality 4K UHD lenses for television news and sports, at the 2019 NAB Show Canon U.S.A. will unveil two new portable-zoom 4K UHD broadcast lenses as new additions to its UHDgc series. The new lenses, the CJ18ex28B and CJ15ex8.5B, are made for UHD cameras with 2/3-inch sensors. The company said both lenses provide 4K UHD imaging quality at a price point that’s less expensive, something the broadcast market asked for.

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An EVS Dyvi switcher was used for Season 1 of ABC’s “American Idol” to manage the millions of LED pixels used on set live.

How Live Production Benefits From Software-Defined SwitchingApril 4th 2019 - 09:15 AM

As the myriad of live competition television shows continue to attract new and ever larger audiences for TV networks, producing them live has become so complicated that a second technical director (TD), often called a “screens TD,” is now often being employed in concert with the lighting department’s graphics server operator and create the look of the LED video tile-intensive sets. Most stages feature literally millions of LED pixels and lighting rig configurations that adorn the brilliantly lit sets so it takes a “screens team” along with the LED tech responsible to manage the actual LED tiles.

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Look for Brainstorm to demonstrate photo-realistic imagery with real-time ray tracing at this year

Brainstorm Brings Real-Time Ray Tracing to NAB 2019April 2nd 2019 - 10:30 AM

Brainstorm’s mastery of virtual sets and Augmented reality will be seen as even more photo realistic with real time ray tracing capability at their NAB 2019 exhibit.

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The C200 is latest addition to Canon

Field Report: Canon EOS C200March 21st 2019 - 11:00 AM

When a company markets two products that seem similar, both targeting much the same task, but one costs significantly less, it’s reasonable to assume the less expensive product will offer significantly fewer features.

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