When composing and lighting scenes, DOP’s usually seek to maximize texture and perspective. The rationale is simple: We live in a world that is unmistakably three-dimensional, so DOPs seeking to faithfully represent the natural world exploit a range of ways to promote the three-dimensional illusion.
BroadView Software supplies broadcast management systems which includes tools for programming, scheduling, VOD, traffic and sales. It can now create sequences based on VOD schedules and send them automatically to Vantage for transcoding.
So you’re a producer, and your cinematographer is campaigning for the use of anamorphic lenses. Problem is, they’re expensive, and for people who aren’t cinematographic propeller heads, it can seem hard to justify. Let’s look at what’s going on and how we got here, without assuming the reader has a masters’ in cinematography.
National Broadcasting Services of Thailand (NBT) selects PHABRIX SxE instruments for versatile test and measurement.
It’s nothing new for technological change to make things obsolete, but a camera manufacturer in the early 2020s might be forgiven a little nervousness. Just look at a catalogue from any electronics retailer in the late 80s. Bedside clock? More or less displaced by phones. Radio? Same. Walkman? Cellular communication devices do that, too. Dictaphones? You guessed it. And cameras? Well, holiday camcorders are a distant memory, as are point-and-shoot stills options.
Answering the need for enhanced VOD and Live monitoring capabilities for content owners, aggregators, CDN operators and subscription service providers, Telestream, has introduced new enhancements to the IQ family of monitoring products and systems.