Last Fall, “Orbital Redux” broke new ground for streaming entertainment as a live, scripted multi-episode sci-fi drama in which the audience determined the outcome of the action.
Blackmagic Design’s latest 15.2 software release of DaVinci Resolve and DaVinci Resolve Studio is one more demonstration of how this former color correction software is flexing its muscle as a mainstream post production finishing platform.
EditShare’s Lightworks, the NLE on which Thelma Schoonmaker has edited every one of Martin Scorsese’s films since “Raging Bull” in 1980 (winning 3 Oscars along the way) is now available in version 14.5. And its basic version is free for anyone who wants to try it out!
Grass Valley is giving its Rio powerhouse editing system new features that will put it at the top of its class for speed and codec flexibility.
In this image, that’s Morocco’s King, Mohammed VI, rising up in the Augmented Reality panel inserted by Media1 TV’s new Avid Maestro graphics system, flanked by Crown Prince Moulay El Hassan to his left and Prince Moulay Rachid to his right. In this day of sophisticated unreal TV, do you think the desk that anchorwoman, Safia Haidani, is sitting behind is also a graphic, or is it actually there? (answer below)
The Shanghai Media Group (SMG) has adopted ChyronHego’s graphics solution for incorporating virtual graphics into live broadcasts, and for virtual placement.