2018 NAB Show Event Channel

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One of Raycom Sports’ 10 Avid Media Composer edit bays.

Avid Editing at ACC Championship March 6th 2018 - 08:00 AM

The ACC Network, America’s last over-the-air regional sports broadcaster, relies on Avid post equipment at Raycom Sports to service 90 different stations.

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Cinelab film processing services remain very much in demand.

Cinelab London Installs 4K HDR Scanity February 28th 2018 - 11:00 AM

UK-based film processing facility Cinelab has invested £500,000 in a DFT Scanity 4K HDR scanner and 300TB of Pixit Media Pixstor storage. The scanner is for working on both new and archive film.

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Students at the new Blackmagic Design-centric studio.

Tokai University Builds 4K Studio With Blackmagic Design Kit February 21st 2018 - 01:00 PM

Japan’s Tokai University has built a UHD studio using Blackmagic Design’s URSA Mini 4K, ATEM 2 M/E Broadcast Studio 4K and 2 M/E Broadcast Panel. The products have been installed as part of the University’s Department of Information Media Technology, and will give students access to being able to create 4K programming.

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Setting up a color workspace using Adobe

UHD Post-Part 2 The Signal February 14th 2018 - 12:05 PM

With ATSC 3.0 poised to change the broadcast industry’s basic signal, we need to understand this signal is poised between HD and true 4K.

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Vintage Cloud Steenbeck To Digitize Swedish Collection February 2nd 2018 - 11:00 AM

Swedish archive house Armé-Marin och Flygfilm [Army, Navy and Air Force film/AMF] has ordered a 16mm Vintage Cloud Steenbeck to digitize its film collection.

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One of PolarPro

PolarPro Releases Elektra Cinematic Color Presets January 15th 2018 - 01:50 PM

The new Elektra Cinematic Color Presets from PolarPro let you see your LOG video in all its glory on the set and carry that look consistently into post production.

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