Black Box has announced it is working with FilmLight to offer six different kits incorporating Black Box’s digital KVM extension solution.
Blackmagic Design has released DaVinci Resolve 14 with a slew of new features, notably the addition of Fairlight audio. At the 2017 NAB press conference CEO Grant Petty explained that “The problem we are trying to solve is audio for the film and television industry.” The company expects that incorporation of Fairlight technology into the color grading and video editing system will transform workflows for the audio-for-video post.
SGO is mining its Mistika Technology to provide a whole family of systems that will empower post production.
Berlin post house Cine Plus has completed its first high dynamic range grade in DaVinci Resolve Studio for German national broadcaster ARD’s feature length thriller, “Sanft Schläft der Tod.”
What are the impacts of High Dynamic Range on the Quality Control process? Given the confusion in the industry surrounding the different formats, the impact is greater than you’d think and still being worked through. The Broadcast Bridge took the advice of leading QC tools developers.
In the late ‘80s as Avid developed its Media Composer another team in the UK began the development of Lightworks. Both teams realized film could be scanned and transferred, albeit with heavy compression, to a hard disk much as film negatives were copied to workprints that were edited on a KEM or Steenbeck flatbed. See Figure 1.