The new Elektra Cinematic Color Presets from PolarPro let you see your LOG video in all its glory on the set and carry that look consistently into post production.
Beijing-based Lingfang Media has produced a documentary for OldTown with the Blackmagic URSA Mini Pro 4.6K. The company operates a chain of coffee shops, predominately in South-East Asia, and also manufactures coffee and other beverages.
The race to ever higher pixel counts never seems to end. One result is that consumers now believe that the path to higher quality images is through more pixels. Yet, other technologies like HDR, WCG and HFR can enhance every TV pixel by adding clarity, depth, and realism without requiring more bandwidth or expensive new production and broadcast workflows. The path forward depends choices made by television set makers as well as broadcasters.
DIT Simone d’Arcangelo and colourist Anthony Raffaele used an ACES production workflow supported by a range of color tools from Filmlight to help create an iconic 1950’s look for Woody Allen’s new film, “Wonder Wheel”.
This article concludes a three-part series on color grading products and technology. There are both hardware and software-based systems in all varieties of sophistication and cost. Key is first understanding your needs, then find a solution to match.
The latest adaptation of Agatha Christie’s classic, ‘Murder on the Orient Express’ saw DaVinci Resolve Studio used to manage the color pipeline, including onset dailies by Digital Orchard and the final grade at Goldcrest Post.