Recent Content

Pierre Routhier, of Digital Troublemaker, challenges our widespread devotion to HDR.

Using Analysis to Predict the Potential of HDR October 24th 2018 - 12:30 PM

HDR has dazzled us for some time. But there are instances where SDR may actually tell the story better.

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Demosaic in the camera or in post? That

Why RAW? What’s the Deal? October 18th 2018 - 04:00 PM

The announcement by Blackmagic of their new RAW camera file format reminds us that there is choice to record RAW versus regular video with digital cinematography cameras. What is RAW, what are the pros and cons, and why should cinematographers capture RAW files rather than conventional video? At a first pass, a RAW image file consists of the data from the image sensor with some basic processing, but cannot be viewed as a regular red, green and blue (RGB) video file.

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With the announcement of Blackmagic RAW codec at IBC, the company will showcase the product at NAB NY and SMPTE LA.

Blackmagic Design to Showcase Blackmagic RAW at NAB NY and SMPTE LA October 16th 2018 - 04:30 PM

At IBC Blackmagic Design announced the public beta of Blackmagic RAW. The new codec combines the quality and benefits of RAW with the ease of use, speed and file sizes of traditional video formats. Blackmagic says that its version of RAW is a more intelligent format that gives customers stunning images, incredible performance, cross platform support and a free developer SDK.

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It’s one thing to see the latest pro equipment, but even better to get trained on it.

Post|Production Conference at NAB NYC October 11th 2018 - 11:00 AM

Future Media Concepts training assets will be adding another valuable dimension to your visit to the NAB New York 2018 Show.

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The KONA 5 is an 8-lane PCIe 3.0 video and audio I/O card that supports 12G-SDI I/O and HDMI 2.0 monitoring/output.

AJA To Highlight New 12G-SDI, IP and HDR Solutions At 2018 SMPTE LA October 10th 2018 - 01:50 PM

AJA Video recently announced new tools and updates that optimize the creation and delivery of multi-format content, allowing professionals to embrace the latest 12G-SDI and HDMI 2.0 technology, as well as emerging IP and HDR standards and formats. The stated goal is to address the dynamic needs of production, post, broadcast, streaming and AV professionals.

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The new banner for Grass Valley’s Edius Pro 9.30 displays one of the features filmmakers will value most: a toggled 50/60p timecode display.

Grass Valley Releases Edius Pro 9.30 October 10th 2018 - 10:00 AM

Grass Valley used the IBC convention to release Edius Pro 9.3 that includes many new features requested by filmmakers

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