Swiss IP video technology and service provider Zattoo has complemented its existing white label IPTV platform for network operators in its home country with a VOD (Video-on-Demand) package.
US regional cable operator Midco is upgrading its SeaChange Adrenalin multiscreen software platform as part of plans to expand into mobile TV services later in 2017. The operator is deploying the latest version of Adrenalin, which it says will provide the foundation for extension of current on-demand services to subscribers’ mobile phones, tablets and other IP-based viewing devices.
4KUniverse adds a 4K Subscription Video on Demand (SVOD) service for Amazon Fire TV making it the first 24-hr 4K SVOD channel in N.A. The channel is been built around the Videa publishing package from Swedish OTT technology firm Accedo.
The BBC has taken one more small step on the long road to self-sufficiency by launching its BBC Player authenticated multi-genre SVOD service in Malaysia, the second country to receive the service. This is the latest move in the BBC’s chequered mission to generate revenue through overseas sales of its content, given that its live and catch up programming is free in the UK.
The European Union has passed portability rules allowing cross border access to online services between all member states, which would give consumers ubiquitous access to content such as movies and live sports streams that they have paid for, wherever they are. The agreed measures await formal ratification by the two EU executive bodies, the Council of the European Union and European Parliament, which if forthcoming as expected means they would come into force around the beginning of 2018.
Video-on-demand (VOD) is here to stay. Almost two thirds of respondents to a Nielsen study of more than 60 countries say that they now watch some form of VOD content. The rise of over-the-top (OTT) video delivery has itself been astonishing. Simply put, traditional ways of watching TV have been changing fast. The steady shift from linear TV has led to an entirely new set of consumer habits and expectations. It is younger audiences, in particular, that are forcing the change: they are increasingly demanding with their desire to watch what they want, when they want, and on the device they have to hand.