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The School of Cinematic Arts at the University of Southern California (USC) is renowned for its wide range of courses and degrees focused on TV and movie production and all of the sub-categories that relate to both disciplines. Following real-world industry trends, as it always has, last fall the school launched its inaugural (and highly popular) series of classes on virtual production—that is, shooting in-camera effects against a large LED wall.
We’ve all witnessed its phenomenal growth recently. The question is: how do we manage the process of adopting and adjusting to AI in the broadcasting industry? This article is more about our approach than specific examples of AI integration; there’s plenty of time for that later.
Connecting on-prem broadcast infrastructures to the public cloud leads to a hybrid system which requires reliable secure high value media exchange and delivery.
We discuss the challenges of shooting the northern lights in the winter dusk and within the confines of a recreated International Space Station with cinematographer Markus Förderer.
PROTON Camera Innovations - a German innovator in the field of miniaturised cameras – will be using their first attendance at NAB2024 to launch PROTON CAM, the world’s smallest broadcast-quality camera.
At the NAB Show 2024, Hitachi Kokusai is showcasing a new Media over IP solution that moves uncompressed SDI video signals onto SMPTE ST 2110 networks through a new interface kit. Developed by Hitachi Kokusai, the new CU7K-MoIP ST 2110 interface kit establishes an ST 2110 studio production workflow for customers that moves camera signals directly onto on-prem IP networks or into the cloud without compressing signals and affecting picture quality.
How the NBA production team leverage mobile comms to share highlights and memorable moments with fans within minutes.
Ikegami announces new HDK-X500 3-CMOS HD Camera, OCP-500 Operation Control Panel and Video Monitors.
