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Recent Content

Mick Jones shooting The History Channel 2017 Image spot with his Sony PMW-F55 camera.

DP Mick Jones Shoots Foxtel History Channel Promo with Sony F55 August 23rd 2017 - 05:00 PM

Sydney based director and DP Mick Jones. was recently commissioned to shoot a large-scale and complex promo for The History Channel on Australian network, Foxtel. For almost five years Sony’s F55 has been his workhorse camera of choice, and to shoot the promo he chose his trusty Sony F55 camera.

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Craft Matters August 17th 2017 - 01:50 PM

The waitress in the New York City coffee shop placed her brand new $6,000-plus camcorder on the table where I had been expecting my breakfast.

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On set shooting TV series

DP Joel Devlin Shoots McGovern TV Series “Broken” with VariCam 35 August 4th 2017 - 11:00 AM

DP Joel Devlin used Panasonic VariCam 35 to shoot drama series “Broken’ for BBC One. Wanting to highlight the colours of the North of England, Devlin was took inspiration from 1970s American photographer William Egglestone, who helped to introduce color photography to the world of fine art. Devlin felt that the colour science of the VariCam matched the desired aesthetic.

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CyanView’s Stephane Ducobu and founder/CEO David Bourgeois were proud of their company

CyanView Makes IBC Debut July 18th 2017 - 01:50 PM

New Belgian company will introduce several remote camera control tools to simplify TV productions at IBC 2017.

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Articles You May Have Missed – July 5, 2017 July 5th 2017 - 08:00 AM

Broadcasters are moving to the cloud, but the change requires careful planning. Consultant Tony Orme provides a tutorial on important factors to consider when moving to cloud operations. The first critical question to ask is Private or Public? This article will help you decide if either, or both, make sense for your facility.

​In the second article, camera expert and DP, Barry Braverman discusses how the mechanical lens iris may soon be history. Braverman explains how the traditional lens’ ND filter can be eliminated in new cameras equipped with an electronic variable ND (VND). Removing the requirement for a mechanical lens iris creates the opportunity for improved lens performance and ruggedness, at lower cost.

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Dale Bremner with his ARRI Amira and master primes in Australia’s Red Centre.

Dale Bremner Puts ARRI Through Paces In Australia’s Red Centre July 4th 2017 - 01:50 PM

Cinematographer Dale Bremner chose the ARRI Amira and a set of ARRI master primes for one of his toughest shoots at the heart of the continent in Australia’s Red Centre .

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