ACE Sports, which not only manufactures arena-sized video boards and scoreboards, also helps integrate the third-party equipment necessary to feed content to live audiences. Recognizing that top-of-the-line video boards need to be fed with high-end video, the company has appointed JVC Professional Video as its standard brand of cameras and switchers.
Documentary The Way I See It used a BMPCC Pocket Cinema Camera 6K digital film camera to remotely capture interviews with the film’s main subject, former Chief Official White House Photographer Pete Souza.
Targeting digital cinema, the Cinema Line embraces existing cameras Venice, for features, and FX9, for docs.
With high dynamic range rapidly becoming the new production standard, filmmakers need the proper tools to make the most of it both creatively and technically. Fueled by the talent and technology leadership at Panavision and Light Iron, Panavision’s LINK HDR addresses the challenge of viewing HDR images throughout the production and post-production processes, bringing HDR and SDR viewing options to clients in tandem at every stage of the imaging chain.
In terms of new broadcast cameras, if the recent virtual IBC convention is any indication of how the industry is supporting broadcast and TV studio customers, buyer confusion reigns supreme. Gone are the days of one-camera-fits-all applications.
At the U.S. Open Tennis Championships, New York City-based production company hsc.tv produced specialty portraits and player interviews that were used for broadcast elements and stories on ESPN, as well as on social media. While the ESPN U.S. Open assignment is a recurring one for hsc.tv, this year the parameters were decidedly different.