When a company markets two products that seem similar, both targeting much the same task, but one costs significantly less, it’s reasonable to assume the less expensive product will offer significantly fewer features.
RED Digital Cinema has started the year by launching a new rental-only, large-format camera, plus additional features for the existing DSMC2 range. The Ranger was shown in China and the US before making its European debut at the BSC expo in London at the beginning of February, while high-end inputs and outputs, among other accessories, have been added to the Monstro, Gemini and Dragon-X.
Philo T. Farnsworth was the original TV pioneer. When he transmitted the first picture from a camera to a receiver in another room in 1927, he exclaimed to technicians helping him, “There you are – electronic television!” What’s never been quoted but likely the first question raised was “What do we do with it?”
At the upcoming 2019 NAB Show, Ikegami will spotlight a number of innovations in 4K, 8K, IP & HDR technology across its product lines.
With The NAB Show 2019 on the horizon, just for readers of The Broadcast Bridge, a top Sony expert helps us understand what will be behind their HDR display technology at this year’s techno-gala.
Like many professional football players themselves, CBS Sports Lead television director Mike Arnold tries to treat the Super Bowl as he would a regular season game, calling the same shots and camera angles—albeit with many more cameras at his disposal, augmented reality graphics on the field and virtually every part of the playing field mic’d up.