8 - 11 APRIL, 2019
 LVCC, LAS VEGAS

NAB Show 2019 Event Channel

The #1 source of technology content in the broadcast & media industry, by the editors of The Broadcast Bridge.

Reckeen is making virtual sets simple and affordable at NAB 2019

Reckeen Redefines 3D Virtual Studio and Multicam Productions for NAB 2019 April 6th 2019 - 11:30 AM

The ability to create a custom 3D virtual studio in just 30 minutes will be just one of the highlights Reckeen will debut at the NAB Show 2019

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R&S PRISMON runs on hardware-based COTS systems and as a hypervisor image for virtual environments.

R&S PRISMON Expands Monitoring and Multiviewer Capabilities April 6th 2019 - 08:30 AM

Broadcasters and network operators must monitor incoming signals to ensure that they arrive intact at the correct destination. R&S PRISMON continuously monitors transmissions and immediately alerts the operator if there is a problem.

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Those players’ name banners aren’t hanging over the stands on wires. They were inserted into the image by a FingerWorks 2.0 VR telestrator.

FingerWorks VR 2.0 at NAB 2019 April 5th 2019 - 04:00 PM

FingerWorks Telestrators can make live sports multidimensional by enabling telestration in Virtual Reality.

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The Cinegy Capture PRO is can capture 8K in 10-bit at up to 60 fps, as well as providing four channels of UHD/4K using the same hardware.

Cinegy Migrates Entire Product Line To 8K Compatibility April 5th 2019 - 03:00 PM

At the 2019 NAB Show, Cinegy, a provider of cloud-based broadcast playout technology, will show multiple new, 8K-ready products targeted at the enterprise, IT and professional AV markets. This includes the Cinegy Multiviewer, Cinegy Air PRO playout, and Capture PRO ingest products, which can now output content in 8K resolution.

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IQ Sports Producer uses a fixed-position 32MP 180° camera that can cover an entire field of play

​Mobile Viewpoint Shows Automated Live Production Tools April 4th 2019 - 10:30 AM

Updates to IQ Sports Producer and VPilot aimed at improving live production capabilities for broadcasters and sports clubs.

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An EVS Dyvi switcher was used for Season 1 of ABC’s “American Idol” to manage the millions of LED pixels used on set live.

How Live Production Benefits From Software-Defined Switching April 4th 2019 - 09:15 AM

As the myriad of live competition television shows continue to attract new and ever larger audiences for TV networks, producing them live has become so complicated that a second technical director (TD), often called a “screens TD,” is now often being employed in concert with the lighting department’s graphics server operator and create the look of the LED video tile-intensive sets. Most stages feature literally millions of LED pixels and lighting rig configurations that adorn the brilliantly lit sets so it takes a “screens team” along with the LED tech responsible to manage the actual LED tiles.

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Avid will showcase how the company

Avid Brings Maestro Graphics in the Cloud to NAB 2019 April 4th 2019 - 08:30 AM

Avid will be demonstrating how all its Maestro graphics systems can access MediaCentral content through the cloud at NAB 2019.

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The combination of these two powerhouses will affect the future of video production.

Vizrt Buys NewTek April 4th 2019 - 08:00 AM

In what may be a benefit to the whole digital content creation industry, graphics giant Vizrt has purchased IP infrastructure innovator NewTek.

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The HLM-2460W HD monitor offers 400 candela per square meter brightness, very narrow front-to-back dimensions, and low power consumption.

Ikegami Adds HDR Support For HLM-60 Series HD Monitors April 3rd 2019 - 09:30 AM

At the 2019 NAB Show, Ikegami will show new high dynamic range (HDR) support for HLM-60 monitor series. The new option includes EOTF tables for Hybrid Log-Gamma (HLG) and S-Log3 in addition to conventional gamma.

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