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iZotope has released RX Post Production Suite 3, the flagship of the RX family product line of software. This refreshed collection provides solutions across the full spectrum of audio post production, from dialogue editing to mixing to delivery for film, TV and other new media.
_460_93_70.jpg "Jünger Audio AIXpressor can be customized for any type of audio processing by a simple licensing process.")
German processing systems developer Jünger Audio will continue its recent strategy of moving away from dedicated hardware at IBC 2018 with the launch of a new range of software programs on the company’s existing server platforms. The flexAi (Flexible Audio Infrastructure) is designed to offer broadcasters a range of audio applications with no physical constraints.
Looking to help broadcasters with future-proof solutions that support uncompressed IP workflows, at the IBC 2018 Show TSL Products will showcase the latest advancements for its audio monitoring solutions,
Linear Acoustic has been helping broadcasters meet FCC regulations with audio processing and loudness control for the past 15 years. These devices are used extensively across the broadcast community to ensure compliance and avoid costly fines. However, they themselves can be expensive and out of reach for many regions of the world.
Waves Audio has announced the availability of V10, a new version of Waves plug-ins.
Røde is now shipping its SoundField NT-SF1 360-degree Surround Ambisonic Microphone internationally at the opening of IBC.
Blue Microphones has introduced the Yeti Nano, a premium USB microphone designed for broadcast-quality podcasting, YouTube productions, game streaming, Skype/VoIP and voiceover work.
Zaxcom will demonstrate its new internal ZaxNet transmitter for Deva 24 at IBC.
Audio-Technica unveiled a pair of new shotgun microphones. The BP28 and BP28L combine low-noise, large diaphragm condenser elements in shotgun models with extremely tight polar patterns.
