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Zaxcom will demonstrate its new internal ZaxNet transmitter for Deva 24 at IBC.
Zoom has announced its latest handy recorder, the H3-VR, which not only records in Ambisonics format, but also offers binaural stereo, standard stereo, 5.1 surround support and live streaming.
iZotope has released RX Post Production Suite 3, the flagship of the RX family product line of software. This refreshed collection provides solutions across the full spectrum of audio post production, from dialogue editing to mixing to delivery for film, TV and other new media.
At a time when broadcasters are being challenged to produce more localized content for multiple languages, remotely produced live events are gaining traction with sports producers around the world. NEP Media Solutions is making multi-language production cost-effective with its Remote Commentary system.
Smarter hotkeys, customizable shortcuts and more overall features builds on the Wheatstone VoxPro reputation as the universal standard for live radio recording, editing and airing call-ins and interviews.
Looking to help broadcasters with future-proof solutions that support uncompressed IP workflows, at the IBC 2018 Show TSL Products will showcase the latest advancements for its audio monitoring solutions,
The Hospital Club Studios, a multipurpose production facility and private members’ club in London’s Covent Garden, has completed a significant upgrade of its audio facilities that is centered around a new System T mixing console and audio networking technology from Solid State Logic.
Linear Acoustic has been helping broadcasters meet FCC regulations with audio processing and loudness control for the past 15 years. These devices are used extensively across the broadcast community to ensure compliance and avoid costly fines. However, they themselves can be expensive and out of reach for many regions of the world.
Before we entered the world of file-based digital recording, planning storage needs for audio was simple. We’d simply buy enough audio tape to cover the recording time and then record the sound. In the world of analog, we knew a seven-inch tape reel at 7-1/2 ips lasted 33 minutes, while a 120 minute DAT tape lasted 120 minutes. Simple enough.
