Creative Audio - Orchestral Audio For TV November 8^th 2021 - 09:00 AM

Orchestral performances may be a relative rarity on U.S. broadcast television these days, but the past 18 months has seen quite a growth in classical music streaming online. Orchestral music has long been wrapped up in certain expectations, from the seating of the musicians to the quality of the audio,…

Untapping The Potential Of Sports DTC November 5^th 2021 - 09:00 AM

The media industry is in the midst of a wholesale move toward streaming, first in the entertainment sector and now in sports. Over the next 10 years, more than 50% of audiovisual revenue will come from over-the-top (OTT) services. According to Strategy Analytics, OTT revenues will surpass pay TV for the first…

AMWA Focuses Its NMOS Sights On Remote Device Control November 4^th 2021 - 09:00 AM

The Advanced Media Workflow Association (AMWA) is reporting good progress on using the Networked Media Open Specification (NMOS) protocol developed by the group to precisely identify, control and manage devices on an IP network in a highly automated way.

Timing: Part 8 - Light Speed November 2^nd 2021 - 09:00 AM

The finite speed of light, and indeed of all communication has various impacts on broadcasting.

HDR: Part 36 - Finding Focus: Good ACs Have To Feel It November 1^st 2021 - 09:00 AM

Was it to embarrass me or simply the only way to get the shot?

Sony Live Production Portfolio Now Supports IP Workflows And More October 29^th 2021 - 09:00 AM

While cameras continue to be its forte’, Sony’s most recent virtual press conference made it abundantly clear that the company has gone to considerable lengths over the past few years to emerge as a comprehensive solutions provider that is no longer just helping customers make pretty pictures. Sharing those fil…

Digital Audio: Part 17 - Filters And Stability October 28^th 2021 - 09:00 AM

The recursive filter has the advantage of using less hardware, but is more complex to understand.

Creative Audio - Dolby Atmos With Glenn Stilwell October 27^th 2021 - 09:00 AM

It’s still early days for live Dolby Atmos broadcasting in the United States, but Glenn Stilwell, senior audio engineering and operations manager for the Pac-12 Networks, is ready for it. Indeed, not only has Stilwell been experimenting with creating Dolby Atmos mixes in preparation for its more widespread use i…

For Maximum Live Field Production Convenience, Stack The Deck October 26^th 2021 - 09:00 AM

Live TV production may not be the best fit for perfectionists who can’t recognize ‘good enough’ and move on. Live TV has no patience, no second chances and can never be late. Every live shot is a first impression.

Microphones: Part 7 - Microphones For Stereophony October 25^th 2021 - 09:00 AM

Once the basic requirements for reproducing sound were in place, the most significant next step was to reproduce to some extent the spatial attributes of sound. Stereophony, using two channels, was the first successful system.