DOPs & Post Production: Is This Our New Livelihood? September 7th 2020 - 09:00 AM

Before pandemics and the downsizing at traditional, broadcast news operations, many news and non-fiction DOPs were already assuming a significant role in post-production. Whereas frame rates, f-stops, and the character of our lenses, once formed the backbone of our expertise and practice, DOPs in the non-theatrical realm increasingly find ourselves…

HDR: Part 13 - Cameras And The Zero-Sum Game August 31st 2020 - 09:00 AM

For a long time, selecting camera gear has been fairly easy. For twenty years, digital cinema cameras have never quite had everything we wanted, and the choice often boiled down to comparing the compromises. That’ll always be true to a degree, but for the last year or two it’s f…

HDR: Part 12 - The Right Side Of Lenses August 3rd 2020 - 09:00 AM

There are a number of reasons why people like old lenses, and they’re all very valid. Cameras and lenses so good they’re invisible are a recent development. Most of the best films ever made, by default, predate today’s spotless pictures, and artists have always been a rebellious bunch…

HDR: Part 11 - Large Format Viewfinders July 9th 2020 - 09:00 AM

The image of a director crouching to line up a shot with an optical viewfinder is one that’s been pushed aside somewhat by the less romantic modern image of a director squinting at an LCD monitor. The monitors have a lot to recommend them – in an ideal world, they can…

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Wi-Fi Gets Wider With Wi-Fi 7 March 26th 2024 - 09:30 AM

The last 56k dialup modem I bought in 1998 cost more than double the price of a 28k modem, and the double bandwidth was worth the extra money. New Wi-Fi 7 devices are similarly premium-priced because early adaptation of leading-edge new technology is nearly always expensive. The 6 GHz Wi-Fi band was introduced…