PRL Lighting Introduces the Lustra 50

PRL Lighting has introduced the Lustra 50, a portable, high-output LED light for videographers and photographers.

PRL said the Lustra 50 was designed for optimal performance to meet the highest quality standards for professionals. Its design, performance and ease of use combine to make it a tool for capturing a beautiful image with continuous light.

With the simplicity of adjusting intensity, adding a SofBox or use of PRL’s Lustra 50 FilterSet for modeling a subject, the Lustra 50 is ideal for location projects, video interviews and spot news.

Let us know what you think…

Log-in or Register for free to post comments…

You might also like...

Cost-effective IP Contribution and Distribution

Saving dollars is one of the reasons broadcasters are moving to IP. Network speeds have now reached a level where real-time video and audio distribution is a realistic option. Taking this technology to another level, Rohde and Schwarz demonstrate in…

IMF - Interoperability and Content Exchange Made Easy

As the television business has become more global, and evolving consumer devices spawn the need for ever more formats, there has been an explosion of the number of versions that are needed for an item of content. The need to…

Sony Virtual Production Service Launched at Red Bull Event

Although OTT delivery has created a mature market for on-demand scripted shows that leverages the public internet for distribution, the ever increasing and IP-enabled bandwidth available that uses public wireless networks and the public cloud, is opening a new market…

NEP Sweden Rolls Out XT4K Servers In New UHD-1 HDR OB Truck For 2018 IIHF Championship

NEP Sweden, a division of NEP Europe, has selected EVS XT4K ChannelMAX servers to drive the ingest, playout, slow motion replay and highlights production within its new UHD-1 OB truck. The mobile production unit was used for the first…

Documentarian Use of Film - Part 3

Working with older storage technology, here we mean small gauge film, is a challenge requiring special techniques. In this concluding segment of a three-part series, we examine image quality differences that may result in when transferring Super 8 and 8mm film…