​Roland Launches V-60HD Audio And Video Switcher

Roland Professional is introducing the V-60HD an integrated video switcher and audio mixer for business and conference centers, hotels, and trade show facilities.

The V-60HD supports SDI camera inputs plus scaled HDMI inputs for data, computer, tablet and other video sources via a variety of video connections, plus a program and independent AUX bus for confidence, downstage monitor or side screens. Its audio functionality includes multi-channel embedded audio, XLR/TRS and RCA analog inputs, and multi-channel embedded audio to two SDI outputs, plus dynamics and auto-mixing.

Roland's unit supports six video channels from a variety of inputs, including 3G-SDI, HDMI and RGB sources with scaling on HDMI and RGB inputs to support both video and VESA resolutions from 480i up to WUXGA. A de-interlacer enables 1080i and 1080p SDI video sources from multiple fixed-lens, PTZ or ENG-style cameras to be used simultaneously without the need for an external signal converter. The V-60HD also supports still image capture and import with two dedicated cross-points to have images ready to go.

 The dedicated AUX bus may be assigned to any of the four discreet SDI or HDMI outputs providing seamless switching from the eight input channels, including four SDI, two HDMI or one RGB and two still images uploaded via the USB port.

A front-panel 3-inch LCD display allows quick access menu navigation and access to switcher parameters. A multiviewer supports Program and Preview feeds and up to eight video sources with audio meters and labels. A free software application, V-60HD RCS (Mac or PC), provides setup and control information for the unit through a network port. For fixed installations, the V-60HD can be remotely controlled through the LAN or RS-232 port using touch panel or other programmable interface devices.

The LAN port also supports Roland’s new wireless tally system for PC, iOS and Android devices, providing tally for some devices into a Wi-Fi access point. In addition to enabling still image uploads, the USB port allows the user to save program files and memory settings plus software updates.

The user interface also includes broadcast switcher quality cross-point buttons with PGM/PST LED color indicators, a rugged T-bar and DSK (downstream keyer) quick edit knobs for key level and gain. Two sets of dedicated controls enable center framing of Split and PinP (picture-in-picture) placement. The DSK can be used to apply up to three layers of composition incorporating titles, song lyrics, logos or graphics coming from the video sources. The DSK supports both luminance (black/white) and chroma (blue/green) keying for compositing two video sources, plus the additional layer of PinP, plus background video. Video processing enables cut, mix with cross-dissolve and NAM/FAM transitions, with up to 30 different wipe patterns. Seamless transitions between six video sources and two still buses are ensured by time-based correction and frame synch. 

You might also like...

Understanding IP Broadcast Production Networks: Part 3 - Resilience

How distance vector routing simplifies networks and improves resilience.

System Showcase: Ireland’s RTÉ Adds Video To Its Radio Studios To Increase Content Value

RTE’s move to new studios prompted a project to add more sophisticated video capabilities to its new radio studios, reflecting a global trend towards the consumption of radio online.

Understanding IP Broadcast Production Networks: Part 2 - Routers & Switches

How Routers & Switches reduce traffic congestion and improve security.

Understanding IP Broadcast Production Networks: Part 1 - Basic Principles Of IP

This is the first of a series of 14 articles that re-visit the basic building blocks of knowledge required to understand how IP networks actually work in the context of broadcast production systems.

System Showcase: Belgium’s RTBF Makes First Foray Into IP Production With OB Vans

In the Spring of 2019, Jean Vanbraekel, Head of Operations and Distribution for RTBF, was tasked with helping to move the French-speaking public broadcaster into the IP age and he was nervous. Not because he thought it couldn’t be done, b…

7 of 10. See more