Shotoku to Launch VR/AR Tracked Camera Cranes at 2017 NAB Show

Shotoku Broadcast Systems has revealed plans to launch a series of manual virtual / augmented reality (VR / AR) tracked camera cranes at the 2017 NAB Show. The series, Graphica, is the result of a partnership with CamMate, a well-established crane manufacturer known for their quality of engineering. The company is also highlighting its popular SmartPed a fully robotic XY pedestal, and Free-d2 next-gen tracking system.

The Graphica Series is the fusion of Shotoku VR technology and the engineering know-how of crane maker, CamMate. The result is a range of manual virtual / augmented reality (VR / AR) tracked camera cranes with excellent tracking capabilities in a package that is portable, scalable, stable and, most importantly, repeatable. Graphica calculates positional data output from embedded physical rotary encoders designed specifically for VR applications. Free of the jitters, external markers, and area limitations often associated with other positional tracking systems, Shotoku encoders seamlessly process data via the SPI interface to provide real-time data output, in the studio or on location.

The SPi-Touch origin reset and 2-Point calibration function adds another level of convenience and high production flexibility. A true set-and-forget system, complete calibration is needed only once and can be achieved in 20 seconds. SPi-Touch comes standard on every model.

Suitable for all types of production, 7 models of varying lengths are available to create dynamic camerawork in the smallest studios or the largest of outdoor sporting events. Custom-made carry cases for easy transport are included with every purchase.

Highlights

SmartPed Robotic Pedestal – Shotoku’s SmartPed is a fully robotic XY pedestal that addresses the creative and commercial demands of on-air environments with a cost-efficient and high-performance solution. The three wheel smooth-steer pedestal features a new height column without any need of pneumatic balancing, multi-zone collision avoidance and detection systems, and precision-engineered, electro-mechanical steer/drive system for unparalleled levels of performance and reliability. SmartPed offers instant switchover between local/remote operation, which makes the pedestal versatile and easily operated in any application. No re-reference or calibration is ever required when switching between these modes and a pan-bar mounted local joystick enables easy control from the studio floor as necessary. Intended specifically for use in demanding, high-profile live TV productions day after day, the SmartPed design has reliability and ease of use built-in from the start.

Free-d2 Absolute Tracking System - The Company’s Free-d2 is a next generation tracking system that does not require physical encoder devices attached to the camera support’s moving axes. The Free-d2 system, which is ideal for VR/AR news, sports and current affairs live studio productions, uses advanced video processing algorithms and simple ceiling markers to precisely determine the exact position and orientation of the studio camera, thus providing highly accurate and constantly referenced (absolute) position tracking. No concept of a home or reference point exists for Free-d2 — wherever the camera is positioned is immediately known. The tracking data never drifts regardless of the number of moves or hours of operation. 

You might also like...

Ashley Xu - Crossing The Divide Between Creating For Social Media And Traditional Professional Media

Ashley Xu blew up on social media when she started making ‘thirst traps’ (adverts) in her college dorm. Check them out, you may be surprised by just how good they are. It did not take long for major brands to see…

Creating The Look & Feel For Netflix Film ‘Purple Hearts’ With Cinematographer Matt Sakatani Roe

Matt Sakatani Roe shares his experiences shooting the Netflix film ‘Purple Hearts’, staying hands on with the camera, staying close to the characters and leveraging natural light.

Creating The Look & Feel For Netflix Series ‘Mo’ With Cinematographer Timothy M Burton

Timothy Burton shares his insight into how the Netflix series ‘Mo’ tackles a potentially difficult subject with humour and style, with a look and feel that captures the heat of its location and pace of its narrative.

Creating Virtual Production Environments With Production Supervisor Don Bitters

Much of the attention enjoyed by virtual production currently goes to the spectacular stages with LED displays the size of half a dozen cinema screens. The material we put on those displays, though, can come from a number of places,…

Image Capture & Processing At IBC 22 - Pristine Quality, IP & Cloud Native, Multi-Format Workflows

While cloud services and remote production have dominated many conversations at recent trade shows, cameras and image processing remain a key part of any workflow. At the upcoming IBC Show, many companies will show new technology for capturing an image…